In the fast-evolving world of dentistry, tools and techniques like Digital Smile Design (DSD) are reshaping how dentists approach patient care and communication.
Whether you’re a seasoned practitioner or just starting your journey, understanding DSD photography can open doors to better patient relationships, more predictable outcomes, and more efficient practice.
However, as with any innovative method, DSD has its supporters and critics. Let’s dive deeper to understand what makes this technique so valuable – and why it’s worth considering for your practice.
Why Digital Smile Design (DSD) Photography is a Must-Have for Modern Dentists
The Debate Around DSD: Misconceptions and Realities
Critics argue that DSD focuses too much on selling unnecessary treatments to patients, prioritizing aesthetics over health. However, this perspective misses the essence of DSD as a tool for communication and education.
On the other hand, supporters highlight its ability to empower patients, giving them a clear visual of potential results. By providing transparency and fostering trust, DSD shifts the focus from “selling” to collaboration.
The truth lies somewhere in between: like any tool, DSD’s value depends on how it’s used.
As a dentist, your ethical approach determines whether DSD becomes a powerful asset to enhance patient satisfaction or just another sales tactic. When used thoughtfully, DSD is transformative, bridging the gap between patient expectations and clinical reality.
Why Patients Love DSD Photography
Visual Clarity: Patients can see what their future smile will look like before committing to treatment, reducing anxiety and fostering confidence.
Collaborative Decision-Making: DSD empowers patients to actively participate in their treatment journey.
Emotional Connection: Seeing a realistic simulation of their future smile often creates a “wow” moment, strengthening trust in their dentist.
Transform Smiles in Just Two Visits with DSD
This video takes you inside the transformative journey of a patient’s smile—achieved in just two visits! With Digital Smile Design (DSD), you can:
Capture stunningly accurate photos and videos during the initial visit to create a personalized smile simulation.
Use a motivational mockup in the second visit to give patients a tangible preview of their future smile.
Why Dentists Should Consider DSD
Streamlined Communication: DSD simplifies complex treatment plans, making them accessible to patients and your dental team.
Improved Predictability: With precise visual data, you can align patient expectations with achievable outcomes.
Marketing Potential: Sharing DSD simulations (with consent) on social media can attract new patients and showcase your expertise.
Whether you use a DSLR, a mirrorless camera, or even just an iPhone or iPad, DSD photography can seamlessly fit into your practice. Its accessibility and versatility make it an essential tool for modern dentists looking to elevate their services.
How DSD Photography Transforms Patient Care
DSD photography combines the power of advanced technology with emotional storytelling to create a patient-centered experience. Here’s how it works:
Smile Simulation: Turning Vision into Reality With DSD, you can create a digital simulation of a patient’s potential smile using a combination of high-quality images, videos, and mockups. This gives patients a tangible preview of the results, helping them feel confident in their decision to move forward.
Streamlining Complex Treatments By documenting the entire process through photography, you ensure that your team, the lab, and the patient are all aligned. This reduces miscommunication, speeds up workflows, and minimizes costly errors or re-dos.
Fostering Emotional Engagement Patients are more likely to trust and commit to a treatment plan when they see a visual representation of the benefits. DSD taps into this emotional connection, turning a potentially daunting dental visit into a positive and inspiring experience.
Delivering Results That Patients Remember The combination of professional visuals and seamless communication enhances patient satisfaction, ensuring they leave your practice with not just a better smile but a better experience.
Is the DSD Technique Right for You?
Like any tool, the value of DSD lies in the hands of its user. If approached with integrity and patient-focused care, it becomes a game-changer for your practice. Here’s what to consider:
It’s More Than a Sales Tool: While it has undeniable marketing potential, DSD is primarily a clinical asset that improves outcomes and builds trust. Accessible for All Dentists: Whether you’re a beginner using an iPhone or an experienced photographer with a full DSLR setup, DSD can adapt to your skill level. It’s About the Patient: By focusing on the patient’s needs and expectations, DSD fosters a deeper connection and a sense of partnership in their journey to a better smile.
Explore DSD Photography with Our Online Course
If this has sparked your interest, we invite you to dive deeper with our DSD Photography Online Course, led by the award-winning expert Bartosz Cerkaski. In this course, you’ll learn:
How to create smile simulations that inspire and engage.
Techniques for using DSLR cameras, mirrorless setups, or even smartphones for professional-quality results.
Step-by-step workflows that simplify digitalization, communication, and treatment planning.
Practical tips to avoid common mistakes and make your process seamless.
Take the First Step Today – For Free!
Your journey into DSD Photography starts with just one click. Sign up for free and watch the first episode at no cost. Experience how this powerful tool can transform your practice and leave your patients smiling—literally and figuratively.
In an ever-evolving field, staying ahead requires more than just technical skills—it demands a commitment to innovation and patient care. DSD Photography bridges this gap, helping dentists deliver exceptional results while building lasting relationships.
As we know, the Canon EOS R6 Mark II is set to begin shipping right before the end of 2022. But there is some more exciting news for dental photographers!
According to Canon Rumors, the Canon EOS R5 Mark II – successor to the hugely popular EOS R5 – will launch “in Q2 of 2023”!
The launch rumor comes with an impressive list of specifications, making it even more credible.
So, what can we expect?
upgraded continuous shooting speeds and autofocus technology
30 FPS burst mode and AF system directly from the EOS R3 and EOS R6 Mark II
class-leading autofocus technology, combined with the 61 MP sensor
not just 8K/30p recording, and not just (oversampled) 4K/120p and 4K/60p, but 8K/60p
If it will all come true, the EOS R5 Mark II will be one of our 2023 dental photography dreams!
The camera’s price is yet to be revealed, and we’re guessing a $5000+ price tag is really possible. We’ll keep you posted!
It’s official! There will be no more the Canon MP-E 65mm f/2.5 1-5x Macro lens on the market. After 23 years Canon ends the production of one of the best and the coolest Macro lenses available.
What was so special about this model? It’s 1:1 to 5:1 Magnification and 9.4″ Min Focus. These features let us get really close-up. That’s a feature we can’t overstate in dental intraoral photography. Professional and advanced dental photographers will appreciate the lens’ specs, so this is the last call to purchase. The retailers will sell through their remaining stock, but it will not be replenished. Of course, it will still be available on the aftermarket and we bet it will be often looked up!
Great portraits with one good flash? We know how to do it!
Taking portraits is our bread and butter! But improving our skills is also a part of our work and we love to share the knowledge.
When it comes to working with the speedlight, Carlos Ayala is one of our best dental photography experts.
Speedlight is the best way to achieve professional dental photos without spending a fortune on an expensive lighting kit! Now you can take good looking photos in your own dental office. But is it possible to take a great picture, studio quality and creative lighting all-in-one? Let’s check!
In this online course, we’ll have the chance to learn about taking portraits with the speedlight. Carlos will talk about:
Taking photos with a simple setup using Speedlights
Different types of flashes: ring flash and regular Speedlight
How to use a reflector, bounced light technique, simple beauty dish, and more
Watch this online course with Carlos and get inspired by a real „Giant” in dental photography! He inspires thousands of dentists worldwide: Portrait with Speedlight
We’re still preparing new lessons. Stay tuned!
Remember: our course is waiting. Watch the interview for more info! All you need to do is to register at dentalphotomaster.com!
Canon has launched the new EOS R6 Mark II full-frame mirrorless camera and, as we know already, it is supposed to be the fastest small camera ever. What do the first reviews tell us and is this camera fine for dental photography?
First, the Canon EOS R6 Mark II shoots twice as fast as the original EOS R6 (which is now discontinued in favor of the new model). Some say, it’s basically a new Mini R3 and call it a sports, action, and events shooting monster thanks to a dramatically improved autofocus system thanks to a new AI chip, an improved buffer, as well as the ability to shoot up to 40 frames per second.
This impressive autofocus could be a game-changer when it comes to dental portrait photography! And if you’re a fan of autofocus in intraoral photography as well, this one will surely meet your expectations. And as for other photography freaks (myself included), the speed of taking photos will be pure pleasure, especially with continuous light.
In my opinion, the higher pixel density is the biggest asset. The EOS R6 was always a bit of an odd fish. Its 20MP sensor was always going to compare badly to its 24MP rivals, and the R6 was not cheap either. Personally, I would be really glad if the pixels number would reach 30 million.
So let’s take a look at the key differences between the Canon EOS R6 II and the EOS R6 to see what Canon has done and the difference it’s likely to make:
1. Design
When it comes to the physical buttons, Canon loves to move them around, right? And so, here we’re getting an entirely different system for that on the R6 II that moves the power button from the left side of the body to the right, replacing it with a dedicated photo/video switch. It can be difficult to switch your memory to the new settings and it can be seen as a problem.
Canon EOS R6: 3.69m dot EVF, vari-angle screen, weather seals
Physically, the EOS R6 II and R6 are largely indistinguishable. They both have dust and weather sealing, they both have a 3.69m-dot EVF and vari-angle rear screen and both offer dual SD UHS-II card slots.
They even use the same LP-E6NH batteries and BG-R10 battery grip, though Canon does claim the R6 II offers a 50% improvement in battery life when using the LCD screen. I can’t wait to check this feature in practice: worrying about charging the battery can be exhausting.
2. Sensor
Canon EOS R6 II: 24.1 full-frame CMOS, up to ISO 102,400
Canon EOS R6: 20.1 full-frame CMOS, up to ISO 102,400
That’s great! The 24MP resolution of the R6 II is the same as that of its key rivals, whereas the old EOS R6 seemed oddly lacking. It’s not enough to upgrade for, but it’s enough to tip the balance more in Canon’s favor against the Nikon Z6 II, Lumix S1 or Sony A7 IV.
3. Autofocus
Canon EOS R6 II: Dual Pixel CMOS AF II, EV -6.5, extended subject recognition
Canon EOS R6: Dual Pixel CMOS AF II, -6.5EV
The R6 was already pretty advanced when it comes to AF, but the EOS R6II goes further. It features improved deep learning AI subject tracking. You can choose subject types manually or leave the camera to decide what it’s looking at. You can set left or right-eye tracking, and if the eyes can’t be detected the R6 II will switch to the face; if that’s hidden it will switch to head detection, and if that’s not possible is will recognize the subject’s body.
I can’t wait to check the AF in dental macrophotography and how it will cope with the teeth sharpness. This is definitely something dental photographers can be happy with.
4. Image Stabilization
Both cameras have IBIS systems offering up to 8 stops of sync IS shake compensation, dependent on the lens in use.
Canon EOS R6 II: Up to 8 stops
Canon EOS R6: Up to 8 stops
Canon claims the in-body image stabilization in the EOS R6 II offers the world’s most effective IS performance, with up to 8 stops of compensation with combined lens/body IS and the right lenses. However, the EOS R6 before it also offered up to 8 stops of compensation, so we will assume that this particular feature hasn’t changed.
If you’re taking dental photos in continuous light, this feature can provide you with a less blurred result. I’ll check it, but in my opinion the previous stabilization was also fine!
6K ProRes Raw video with a compatible Atomos recorder
Raw burst mode with pre-capture
Moving subject HDR mode
3.68M-dot EVF capable of up to 120 fps refresh (0.76x magnification)
1.62M-dot, 3-inch rear touchscreen
Dual UHS-II SD card slots
760 shot-per-charge battery rating (CIPA)
The Canon EOS R6 Mark II goes on sale 29 November – and is set to cost $3,599 /£2,779.99 / AU$4,499 body only.
Summarise:
The Canon EOS R6 Mark II has, faster shooting, more megapixels, and better video features – but is that enough to tempt R6 users in dental photography into upgrading? Perhaps not – but the new specs are likely to make the EOS R6 II a much more compelling camera for hybrid stills/video photographers looking for its particular brand of speed and versatility but without taking a drop in resolution.
If you already have the EOS R6, the improvements in the R6 II are modest enough and don’t instantly make your camera obsolete. But, if you were considering the R6 but put off solely by its 20MP sensor, the EOS R6 II should banish all your doubts!
Surgical Photo Documentation shown during a real Dental Procedure!
Making a documentation of a dental surgery in practice: how should it be done? Dental photography includes many branches and types, but one of the most difficult is intraoral photo documentation during a dental procedure.
You need to take care of these three factors to make sure your documentation is complete and correct:
Combining the right tools,
Work organization,
Perfect timing and cooperation with an assistant can be a lot.
That is why we’ve prepared a real-time dental surgery recording with all the details covered and questions answered.
Why should you watch our online lesson about dental photography during surgery?
It is a real dental surgery with photo documentation. The surgery itself isn’t the most difficult, but it is the best opportunity to show the step by step documentation procedure
You will see all the necessary tools and photo accessories used during the surgery
Work organization: distribution of roles within the team depending on it’s number. You’re working alone or with one assistant only? Don’t worry, we’ll show you how to make it efficient and professional
Taking photos during an operation: step by step. How to prepare your patient? How to take photos of every phase? Is the more the better true in that case?
Cooperation with Photo Assistant: How to work with an assistant during a dental surgery? Our tips to make your work effective and smooth.
This course will show you, apart from taking dental photography documentation, the surgery itself step by step:
Injection, Guides, Incision, Cleaning – demonstration of each phase of surgery.
Drilling, Guides – demonstration of surgical photo documentation.
Implant Placement – demonstration of surgical photo documentation.
Temporary Crown – demonstration of surgical photo documentation.
Temporary Crown Sutures – demonstration of surgical photo documentation.
Final Adjustments, Summary – the last phase of surgical photo documentation and our summary of our work
Watching our online lesson will, as we like to say, upgrade your dental photography to another level. And surgical photo documentation can be a part of it pretty soon!
Don’t wait register for free and watch the first episode for free!
Carlos Ayala is one of our best experts when it comes to Photography in Dentistry. But, most important, he’s our giant in Lips Photography area. Area we can easily call “artistic”! Lips Photos are a great tool to show dentist’s artistic skills and use the marketing potential of dental photography. A beautiful lip photo can be the best possible ad.
Where can you use such photos? It’s simple. First of all, there’s no business without a proper social media account. But a proper social media account can’t exist without proper photos, right? These Art Dentistry images can be great content for everyday use and they will engage your fans!
Not to mention your colleagues who will surely admire your work at any lecture, watching these professional art photos taken in your dental office.
Art photography in dental photography is a win-win option and you can’t miss it!
In this episode of his online course, we’ll have the chance to learn about artistic lips photography. Carlos will talk about:
Specific camera settings for artistic lips photography
Different lights for different views and angles
How to set up the lips photoshoot with limited budget
Face & lips photography
Specific lens for macrophotography. Automatic or manual mode?
Lips photography with soft light
Remember: you can always register for free! All you need to do is to register atdentalphotomaster.com!
Macro addition to the Z-mount mirrorless lens from Nikon
Nikon’s venerable AF-S Micro Nikkor 105mm f/2.8G VR has long been a staple lens for Nikon shooters interested in Dental Photography. I’m confident that plenty of these lenses have been adapted to Nikon’s new Z cameras with Nikon’s FTZ adapter. Now, there’s a native option for the Z system with the Nikkor Z MC 105mm f/2.8 VR S. Let’s see closer what this lens can offer to dental photographers.
Nikon says that the 105mm f/2.8 lens is a high-quality S-lens that has been engineered for a wide variety of shooting styles and was designed to offer “intense sharpness and beautiful bokeh.”
Moreover, the lens is equipped with Nikon’s Multi-Focus STM system. The company says it offers consistent, smooth, silent, and accurate focus thanks to a custom autofocus algorithm that accounts for even the smallest distance changes that would alter the effective aperture.
Nikon Z MC 105mm f/2.8 VR S Nikkor Auto Focus (AF) Macro Prime lens
Key Features and Specifications
Lens Mount Nikon Z MC 105mm F2.8 VR S is compatible with cameras that have Nikon Z lens mount. Some of the latest released cameras with Nikon Z lens mount are Nikon Z9, Nikon Z fc, and Nikon Z6 II.
Sensor Coverage Max sensor coverage of Nikon Z MC 105mm F2.8 VR S is 35mm FF.
Focal Range Nikon Z MC 105mm F2.8 VR S has a fixed focal length of 105mm. When it is mounted on an APS-C sensor camera with a 1.5x crop, it provides a 35mm (FF) equivalent of 157.5mm.
Optical Image Stabilization Nikon Z MC 105mm F2.8 VR S features an optical image stabilization system that helps to reduce the blur that occurs due to shaking during hand-held shooting.
Maximum Magnification Ratio Nikon Z MC 105mm F2.8 VR S has a Max Magnification Ratio of 1x (1:1) and has a minimum focusing distance of 0.29
Aperture Nikon Z MC 105mm F2.8 VR S has a max aperture of F2.8 and a minimum aperture of F32
Range limiter switch Two settings: FULL (∞ do 0.29 m) oraz 0,5 m to 0,29 m
16 elements in 11 groups
3 extra-low dispersion and 1 aspherical lens elements
Includes Nano Crystal Coating and ARNEO coating
Weather-sealed and includes a fluorine coating
Has a wide focus ring and includes a control ring
Includes OLED information panel
Has L-Fn button, large focus ring, and focus limiter switch
Weighs 630g (1.4 lbs.)
140mm (5.5”) long with a maximum diameter of 85mm (3.3”)
62mm filter thread
The Nikkor Z MC 105mm f/2.8 VR S will be available in late June for $1,000.
Dental Portfolio is a set of photographs of each patient from different angles and in various positions. This photo documentation is the key feature to provide comprehensive patient care and ensure that you will create the dream smile.
Getting better thanks to the analysis of your failures and success stories.
Legal documentation.
Education purposes – lectures, articles, and books.
What kind of photograph is the most important in a professional portfolio? Portraits and intraoral shots have the same importance, of course. Pictures must be taken thoroughly because your patient’s documentation and planning primarily depend on them! And remember that each portfolio contains the same structure but is a different story and different patient. Keeping professional documentation gives you the possibility to repeat successes or to avoid failures. As we all know, professional photography can’t exist without professional tools. In our Dental Portfolio basic lessons, you can learn about the best backgrounds and settings. Kris Chmielewski will also show you close-ups of the lips and intraoral photography – useful tools and how to take such pictures.
But theory is just the beginning. We need to check all of it in practice! In the next episodes, we would like to invite you to the dental office to show the real work. Cooperating with the patient isn’t always easy, but your documentation is crucial. How to work with the patient and make them comfortable? What tools should you use to take intraoral pictures if you want your patient to feel safe?
You will learn all about it from our lessons, but don’t worry if you have no access to the studio: your Portfolio can be done in your office, as well. It is all about knowledge, experience, and smart tips. And we’re giving it all to you.
So, what are the Dental Portfolio issues we would like to talk about?
First, theory. All about types of shots, tools, and reasons to keep professional documentation
Second, Dental Portfolio in Studio. Portraits, close-ups of the Lips, and Intraoral Photography in Practice. What and whom do you need to help you?
Third, Dental Portfolio in Your Office. Is it Possible? Of course! You just need to know a few things.
Studio Light in Dental Office: how to manage it and create the best, professional environment? We will show you in our free two lessons. All you need to do is register without paying!
Here are some of the topics explored by Kris in this lesson:
Preparing your dental office for a new beginning
Different light sources and their influence on your work
Quick description of each source’s way of operation
Why does investment in light sources pay off?
Watch these two free lessons and check out how you can change your dental office into a professional photo studio. You will thank us later! We want to show you how your dental office can easily become a professional photo studio – essential for your business.
If you want to see it all and become a Post-production ninja, don’t hesitate any longer to visit our online training Postproduction Essence Collection.
Digital Smile Design: a new quality in taking care of a smile!
DSD is a unique dental treatment planning tool that strengthens a dental provider’s diagnostic vision, enhances predictability, and improves communication between dental providers and their patients. A treatment plan is completely based on a thorough analysis of the patient’s dental and facial proportions.
In this online course our expert and new Giant Bartosz Cerkaski (the Vice President of Polish Academy of Esthetic Dentistry (PASE) and the founder of DSD Academy in Poland) will show you the Digital Smile Design Workflow, step by step. Bartosz Cerkaski has won The Best DSD Instructor Award in 2018.
We’ve prepared for you a series of lessons: professional and detailed. You can use your new knowledge in dentral intraoral photography and becoming a dental photography master.
You can choose the most important part for you or watch the whole lesson. Remember:your subscription gives you a 24/7 access to our online platform.
We can guarantee: you will benefit from it!
These are the lessons we’ve prepared for you:
Introduction: What is DSD?
Communication in DSD: Why so important, types of Photography used in DSD
DSD Workflow with the Patient: how do the visits look, how many of them should be planned, how to prepare a professional documentation?
DSD Workflow: Motivational Mockup. What is it, why so important, how to conduct a smile test? Theory and practice!
DSD Workflow: DSD Final Presentation: Patient’s Emotional Reaction
Visit our online lessons now and check out how DSD can influence your career!
Looking for a camera? Your first step is to decide between a DSLR and a mirrorless system.
Mirrorless or DSLR? This is always a hard decision, as both styles of cameras have their pros and cons. A few years ago the choice between mirrorless cameras and DSLRs was relatively straightforward. Essentially, if you were a professional dental photographer – or had aspirations to be one – and looked for the best of the best when it came to image quality, you plumped for a DSLR.
Today mirrorless cameras are really advanced and they’re on a par with the DSLRs in certain areas. But, there are plenty of advantages to be found in DSLRs.
So it can be difficult to choose which is best for you, and Dental Photo Master is here to help you. With our experts and experience you can discover – step by step – key differences and similarities between the two types of camera.
Here are some topics you can find in our new lesson:
Key differences: mechanisms and sizes
Features you should consider for your own comfort
The mechanisms of these two types
Why do they have different sizes?
Lenses: mounting to mirrorless and DSLR
How does the autofocus work in the two types of a camera?
Manual focus: why is it convenient in dental photography?
Does any lens fit both types of cameras?
Focal Flange Distance: differences and influence on your work
Using the adapter for a mirrorless camera FF
You can choose the most important topic for you or watch the whole lesson. Either way, we can guarantee: you will benefit from it!
With an asking price of $1,100/£1249, the EL-1 is twice the price of Canon’s previous top Speedlite, the Canon Speedlite 600EX II-RT. We must say: that is quite expensive!
What features for pro photographers does it offer?
a guide number (GN) of 60, which is at the top end of what they can achieve. For professionals, however, it’s not just about outright power, but endurance and dependability.
weather-resistant design that uses sealing similar to that on top Canon cameras like the EOS-1D X III and connection via dual-line electronic contacts (like the 600EX II-RT) for consistent and reliable firing.
powered by a new lithium-ion LP-EL battery pack which offers approximately 335 flashes at full power. There is a battery level indicator to keep you informed about the remaining capacity, and this battery uses the same LC-E6/LC-E6E charger as many Canon cameras.
a clever-sounding Continuous Shooting Priority (CSP) Mode, which lowers the flash value by one stop and raises the ISO by one stop to conserve power, extend shooting time and reduce the recycle time
Canon claims recycle times as short as 0.1-0.9sec, depending on the power setting.
own internal cooling system with a fan to allow up to 170 full power shots in quick succession without overheating.
It looks like Canon has prepared something for us, dental photographers. This flash can easily replace a monolight in dental office and we would recommend it because:
its battery lasts for a long time, which means we can work longer and shoot photos with speedlight’s full power and large aperture number (so important in intraoral photography)
its compact size perfect for small dental offices
We don’t like its price so much though, but we do understand that quality costs. One may consider buying PROFOTO A1X or A10 flashlight with way more accessories in the same price. But, as we predict, Canon and others will develop the range of their accessories and light modifiers.
Dental photography has become a major part of every dentist’s work. The culture of image is omnipresent and we’re sure you have used the “pics or didn’t happen” phrase yourself. If so, it will be easy for you to believe that pics must be taken also at your work.
Here are 5 reasons why focusing on dental photography will make your career successful.
“Before and after” photographs are the best way to prove that your work is meaningful and really changes the patient’s life
Completing the story of a case is professional and helps with the best possible diagnosis
Attractive dental photos are a powerful and strong marketing tool, easy to use in social media
It’s easier to explain the course of treatment to a patient with photos than without them
You can easily consult your work with other specialists or show it to the public – attractive photos are indispensable here!
Starting from scratch seems difficult, we know it. But don’t worry – we’re here to help you. At Dental Photo Master you can find all the tips, equipment advices, and much more. Enjoy!
Canon EOS R6: The newest mid-range camera sets industry standards
We bet you know Canon 5D quite well, famous of its gadgets and great resolution. Or maybe you are a fan of the Canon 6D, which is everything we need in most of the cases?
It seems like Canon likes this path. Canon’s EOS R6 is the more affordable flagship of the RF lineup. And it’s a camera that sits in the 6-series as the mirrorless counterpart to the 6D Mark II. The EOS R6 is safe, but also a bit outstanding. Most notable, 4K 60 fps video, 20 fps burst shooting, Dual Pixel CMOS AF II, and in-body image stabilization. Along with several highlights features from the flagship 1DX series, with an attractive starting price. Canon aims this upper mid-range mirrorless camera at working pros and enthusiasts looking for an upgrade over the EOS R. But, for those wanting a more affordable option than their pricier EOS R5.
EOS R6 or EOS R5?
In our opinion the EOS R6’s specifications meet our expectations as dental photographers. Maybe it doesn’t set the record when it comes to pixels, but the record is just unnecessary. First of all, it makes the camera more expensive (like e.g. Canon 5D). What’s more, these photos will weigh more and take more space on your disc or computer, and working with them takes way more time. And, frankly speaking, the quality of lighter photos is perfect for everyday’s use in our industry! We’re sure you don’t like spending time on processing the 8K movies, when you can have them in 4K quicker. Most people simply don’t have the storage capacity or the power on their laptops to handle an 8K workflow – and right now, there aren’t a lot of places where 8K files can even be shared.
You might be still thinking about the E0S R5. But is it worth to overpay? The Canon EOS R5 is simply too much camera for most people. Its 8K video in particular is the tech of tomorrow, rather than today. Ditto the 45MP sensor. It sounds great on paper but, if you want an everyday camera or you shoot a lot of fast action, handling hundreds and hundreds of massive files often leaves you feeling that you’ve bitten off more than you can chew.
The Canon EOS R6 is a versatile all-round camera that can shoot pretty much anything. Aside from a few differences, it’s essentially an EOS R5 with lower resolution and less high-end video. And it is just enough! Who needs more? Maybe few of us, working with better systems, and that’s it. The EOS R6 is suited for majority of photographers. If you’re content with fewer megapixels, you’ll enjoy this camera and its features.
Things we like
Excellent image quality in both Raw and JPEG and HEIF (a new format of saving more photos with the same resolution than . If you’re an iPhone fan, you might know it already). Note: HEIF is new to the market, so desktop software compatibility is somewhat limited.
Impressive burst shooting rates (12 and 20 fps, depending on mode)
The decent resolution, despite pixel count
Reasonable battery life
Good dynamic range
Twin card slots
The best in-body image stabilization is the best of any full-frame system
Thinks we don’t like
Non-optional noise reduction applied to Raw
no quick way to engage HDR PQ mode
Summary
Is this a good beginner camera?
Possibly. It could be if it meets your budget and circumstances. The Canon EOS R6 isn’t perfect, but it’s really good. It’s a bit on the expensive side at launch, but still not too expensive. The changes made are substantial over the EOS R. And given its current feature set, it’s a worthy long term investment for a beginner. However, it doesn’t offer much guidance, like Canon’s more entry-level bodies such as the EOS 100D. So, it’s better suited for an experienced photographer looking to upgrade from an entry-level camera. EOS RP can be a better option for a beginner.
Canon EOS R6 specifications:
Body type – SLR-style mirrorless
Sensor size – Full frame (36 x 24 mm)
Max resolution – 5,472 x 3,684px
Effective pixels – 20 megapixels
Sensor photo detectors – 21 megapixels
Sensor type – CMOS
Formats – RAW, JPEG, RAW + JPEG, HEIF, HEIF + RAW
ISO – 100-102400 (expands to 204800)
Autofocus – Dual Pixel AF II with AI-trained subject tracking and 100% AF coverage
Manual focus – Yes
Max burst – 20 fps shooting with e-shutter, 12 fps mechanical
Videography features – UHD 4K shooting at up to 60p, 1080 at up to 120p
Viewfinder type – Electronic
Lens mount – Canon RF
External flash – Yes (via hot shoe)
Stabilization – In-body stabilization rated at up to 8EV of correction
Memory card slots – 2x UHS-II SD/SDHC/SDXC
Battery – LP-E6NH lithium-ion battery & charger
Battery Life – new battery rated at around 360 shots per charge (EVF)
Size: 138.4 x 97.5 x 88.4mm
Weight: 598g body only (or 680g with card and battery)
The R6 is available with a recommended price of $2499, body-only, while the R5 costs $3899 body-only.
Have you watched our online courses already? You can find various types of cameras for beginners and pros!
The very beginning of polarization, going back to ancient times
The way the light propagates
Key techniques of polarization
The way it is used in medicine and why it is important for us
Major categories of cross polarization
Why does Cross Polarized Light influences Dental Photography and how can it help
How to set up the Polar Eyes filter
Areas where Cross Polarized Light can be useful, like oral pathology and orthodontics
This is only a part of Panos Bazos’ online course prepared specially for you. He will also teach about Fluorescent Photography, Perioral Photography and others.
Remember: this course is for free! All you need to do is to register at dentalphotomaster.com!
And if you want to see it all and become a Postproduction ninja, don’t hesitate any longer to visit our online training Postproduction Essence Collection.
After presenting its first full-frame mirrorless cameras, Z6 and Z7, Nikon is announcing their cheaper sibling: the Z5.
It is quite similar to the Z6, but also has some differences. There’s no status screen, there’s more plastic used in the build, and the sensor isn’t backside-illuminated. But elements like the 3.69 million-dot OLED viewfinder, the 3.2-inch touchscreen, the Expeed 6 processor, and in-body image stabilization are all present.
The Z5 also has one new feature which will help all of us: dual SD (UHS-II) card slots. You can either record to both to have one of the cards serve as a backup (in case the other fails), have RAW and JPEG captured separately to the two cards, or have double capacity by having one card serve as overflow. Finally!
Nikon says the Z5 will be available in August for $1,399.95 body-only, which makes it $600 cheaper than the Z6. There’s a $1,699.95 kit with the new 24-50mm f/4-6.3 lens and a $2,199.95 option with the 24-200mm f/4-6.3 lens.
Z5 in Dental Photography
We can’t resist the impression that the Z5 is aimed more at stills photographers, who will mainly use the EVF to frame shots. While it is not suited for vlogging, it seems perfect for shooting pro portraits! We must also value the eye AF not only for animals (we don’t shoot them too often), but also for human.
Will this price be true? And will the Z5 features be appropriate for our work?
We will find out in August, and you can be sure we will inform you up do date.
New series Essence Collection: How to Add a Logo to your Photos?
You are proud of your work and that’s great: you should be. But you need to world to know it is yours! Dr Kris Chmielewski will show you how to add a logo!
These are some of the topics explored by Kris:
Preparing a photo
Creating a preset with a logo
Adding a logo in a simple way
Changing the position of your logo
Our new Essence Collection gives you seven lessons. Each of them is focused on an important step of postproduction, like importing your photos, using the presets, preparing photos for media publication or presentation. This way we want to give you a full, professional step-by-step guide to Postproduction in Dental Photography.
If you want to see it all and become a Postproduction ninja, don’t hesitate any longer to visit our online training Postproduction Essence Collection.
Lighting is a key factor in creating a successful image. Why? It determines not only brightness or darkness, but also tone, mood and the atmosphere. Therefore it is necessary to control and manipulate light correctly in order to get the best texture, vibrancy of colour, and luminosity on your subjects. In order to truly take control over your dental photography, you should understand the way light works.
Intraoral Dental Photography: Why Light Distribution is so Important?
Ambient light is never enough to make your dental photography great, especially when it comes to intraoral photography. Getting enough light on your subject – teeth – can be difficult.
If you shoot at a low f-stop number like f/1.8, you’ll have a very thin depth of field in your images. Your intraoral photographs might look out of focus and blurry. The solution to this is using a macro flash. The flash dedicated to macro photography can open up a whole new world for you when it comes to macro lighting.
What flash for Intraoral photography (which is a type of macro photography) offers the best overall lighting?
If you’re looking to take intraoral pictures, getting bright, even lighting is a must. And you’ll likely need a flashgun. So what flash for macro photography will give you the best chance at the shots you want?
Pop up flash build in your camera – Speed light or Studio flash heads – can work well if you are shooting portraits, but intraoral photography needs a specific kind of light. Bright light is essential for intraoral photography because you want to reveal as much detail as possible. What’s more, you will also likely be shooting at small apertures in order to increase the depth of field (the area in focus) within your image.
Well chosen flash is a necessity in these situations. This is why you need a specific source of light: There are two types of artificial lighting systems for the intraoral macro photographer, Ring light and Dual flashlight.
Intraoral Photography: Ring Light and Dual Flash
Ring Light
Ring lights are one of the most common lighting solutions for macro photography because they are the best combination of price/performance available. They have two sets of lighting sources (the light ring is divided into two independent halves), so you can adjust the power of each half individually. They have some limitations which can be explained in the following two points:
They produce a circular catch light, although this is a fantastic look, it becomes annoying to have bright circles bouncing off any shiny subject that you photograph
They are not recommended to use for colour transfer
They need a lens adapting ring
Aside from these limitations, ring lights tend to produce fairly well-lit images. In terms of the quality of light, I would recommend it to a beginning dental photographer.
Dual flash
If you are looking for a solution which will give you more control of the light like studio light setups (used by portrait photographers), you should think about a Dual Flash. Studio light setups usually use a minimum of three lights (the main light, a fill light, and a background/accent light) for portraiture.
Such a complex setup makes it easy to control how the shadows and highlights fall on a subject, leading to more effective photos. Controlling the light and shadows is the easiest way to show the tooth texture – so important in intraoral photography.
Using a Dual Flash gives an easy way to position the direction of light coming from the two flashes; also you can control their power. When used with appropriate diffusers, the quality of light from a dual flash can be the best option.
The biggest drawback to a dual-flash solution is their price and that they demand bigger skills; therefore, I would recommend them to a more experienced photographer than to a beginner.
Light Distribution in Intraoral Photography: Tutorial
Understanding the Light Distribution in Dental Intraoral Macro Photography is a key to be a good dental photographer. But this is just theory! How does it work in practice? On the video below, you can see how the light is changing when you use a different source of light, and when you manipulate them.
In this lesson our expert shows flashes for intraoral photography and explains:
why a pop-up flash can ruin a picture with a shadow
why a big flash proves that the size doesn’t always mean success, especially when it comes to macrophotography
why a ring flash is one of the two best choices and how a close light can change the effect
why a dual flash gives you the widest possible area of your work and why the bouncers matter
what should you spend your money on and why
Watchingthe lesson about intraoral photography will once and for all dispel your doubts. This is one of the necessary steps if you’re aiming for becoming a master in dental photography!
New series Essence Collection: How to use the presets?
It’s time to hear Kris Chmielewski, our expert. He invites you to his second lesson about Postproduction in Dental Photography.
This part of the Essence Collection will have seven lessons. The second one is focused on using presets. You can use them while importing your photos to save your time and make your work more efficient!
And now it’s time for a surprise! Kris has prepared two free presets for you:
5500K White Balance, which sets the white balance on 5500K during an import
Export to Presentation, which exports your photos to presentation with 2000pix and 72dpi
These are some of the topics explored by Kris in this lesson:
Creating your own, user presets
Setting the proper white balance for dental photography
The way to avoid importing duplicates
How to use your develop settings while importing the photos
How using personal presets can speed up your work
If you want to see it all and become a Postproduction ninja, don’t hesitate any longer to visit our online training Postproduction Essence Collection.
There will be more lessons in our Postproduction Essence Collection. Stay tuned!
Venus Optics has just announced that its lens will be available for mirrorless!
Laowa 100mm f/2.8 2X Ultra Macro APO lens is one of the most popular and, at the same time, one of the best and most affordable macro lenses on the market.
And guess what: it is now available for Nikon’s Z and Canon’s EOS R full-frame mirrorless cameras!
The 2x Ultra Macro was recently named the “Best DSLR Macro Lens” at the TIPA awards, and that only confirms its value. It’s no longer limited for Sony mirrorless shooters; Canon RF and Nikon Z owners can take advantage as well.
We really like announcing this kind of news for dental photographers: the more good equipment, the better.
Canon EOS R5 may be delayed due to the coronavirus pandemic, but we’re still curious of its specs – and we bet you’re curious too. We have told you already about its first details. Now Canon has released another round of specs, revealing several compelling reasons why this camera is set to be the most revolutionary Canon product since the debut of the 5D Mark II. Once again it seems like the EOS R5 will be a true revolution in the market.
Why are we so impressed? Its video shooting capacity is stunning. For us, dental photographers, the EOS R5 can be a new approach, with its possibility to take great photos and unbelievable videos at the same time.
Dual Pixel CMOS AF available in all 8K and 4K recording modes and Internal 4K/120p video recording give a clear message to the competition: it’s time to get to work. Nikon, you seem to be a bit late now.
We knew that the EOS R5 will shoot in 8K, but giving it RAW quality is a great surprise
4K AND 8K with a full capacity of Dual Pixel CMOS AF and 5-axis In-Body Image Stabilization: this means that any short film will be in great quality, even without a tripod!
No-crop 8K and 4K video recording using the full-width of the sensor: registering without compromises
Canon EOS R5: Price and availability
These specs are truly impressive, especially for video shooters. This is the first time since the EOS 5D Mark II when Canon makes a meaningful innovations in video shooting capacities. It’s about time!
The only thing we would like to know, is, of course, the price. Will it be a good surprise, like with the 5D series 10 years ago? We truly believe that Canon can do it!
The Technical Image Press Association has announced the winners of the 2020 TIPA World Awards. The competition honors each year the best cameras, lenses, and other products that have made an impact on the photography industry.
The winners in each of the 40 categories were voted on by representatives from TIPA member industry magazines from around the world. The votes were collected by an online system due to the outbreak of the coronavirus pandemic.
TIPA Awards 2020
We’ve chosen for you the best equipment for Dental Photography. If you’re shopping right now, this recommendation is worth to take under consideration.
New Webinar Dental Photo Master: A Free Guide To Dental Photography
Dental Photo Master is here to help you! Kris Chmielewski, a dentist specializing in esthetic dentistry and implantology with over 20 years of experience in dental photography, wants to share his knowledge with you.
This is why now you can watch our new, free (for registered users) Webinar: Dental Photography from Theory to Practice.
Kris Chmielewski will show you:
Digital Workflow
Dental Portfolio
Surgical Documentation
Prosthetic Documentation
Digital Smile Design Usage
Color Transfer & Communication with Laboratory
Marketing and Art Photography
Necessary Equipment and Accessories
The Best Camera Settings
Kris Chmielewski will also show you how to use this new knowledge in practice. You can visit his dental office and see him at work while taking photographs and creating a patient’s portfolio.
With the new image.canon service, photographers can forward their work automatically from their camera to their computer, mobile device and supported services like Google Drive. The service is free to use and stores images on Canon’s own server.
Every Canon user can register a Canon ID and then use the service to wirelessly transfer images from their supported device to Canon’s cloud platform. From there, the images can then be forwarded to other services, a computer and mobile devices.
Image.canon stores the uploaded original images for 30 days, after which they will be deleted from the server. What is interesting, Canon doesn’t have any restrictions on image size or the number of images that can be transferred! The company says there may be instances where uploads are restricted for ‘operational reasons’, though.
Image.canon: a new platform to make your work easier
There is an exciting addition to the new cloud service – it enables the automatic background transfer of your images when the camera is connected to the internet. This means you can spend less time manually transferring your images and more time focusing on your shoots: this is our goal after all. However, according to Canon, only cameras released from 2020 will be capable of this.
Image.canon will also have dedicated PC software that will allow photographers to quickly download their shots from this hub. Canon users will also be able to sort images and share their photos directly to their social media channels or email contacts.
image.canon promises to be a handy replacement to the existing Canon Image Gateway and it will launch in April 2020.
This new Canon seems to be a good choice for anyone with a limited budget. But, as often, also in this case one must compromise.
Let’s have a look at its specifications.
The Rebel T8i is a new DSLR with a 24MP dual-pixel APS-C sensor. It supports up to 4K/UHD shooting at up to 24 frames per second. Its manufacturer refers to it as a “compact and lightweight” DSLR. The camera has a 7fps continuous still shooting rate, 45-point cross-type autofocus system and has 5-axis image stabilisation built-in. The AF also has eye-tracking, for more accurate snaps of people. As a DSLR, it comes with an optical viewfinder, while a vari-angle 3-inch touchscreen LCD monitor can be found on the rear.
The EOS Rebel T8i comes also with a built-in flash, which is a good option for those who don’t want to buy additional lamps at the beginning of their path as a dental photographer.
The body is compatible with any Canon EF or EF-S lenses, which means it won’t be compatible only with the ones for the R series of mirrorless cameras.
Canon EOS Rebel T8i in Dental Photography
But for dental photographers, there is a flaw, and we can see it at first sight. The lack of C1 and C2 settings might be a hindrance in every day’s work. Every dental photographer knows how useful this feature can be when it comes to portrait and intraoral photography. Especially for beginners – and this low-budget camera seems to be aiming for them. This is a lack worth taking under consideration, as it costs time and causes an additional work: one has to adjust the settings for a portrait and then change them for intraoral photography, remembering to do it every time in the very same way.
What can we do then?
Maybe it’s time to think about the older brother of the Rebel T8i, the EOS 90D. Let’s have a look at some 90D’s features that differs it from the Rebel:
The EOS 90D is more expensive (with a $300 difference)
Its matrix has more pixels
The camera itself is more stable
Possibility to choose a mechanical or electronic shutter and take more photos in a series.
The EOS 90D maximum flash sync is limited do 1/250, while in the Rebel T8i the result is 1/200.T
The battery performance in favor of the EOS 90D.
There is one important similarity, though: we can boldly compare the ISO of both cameras and they look almost the same.
Our recommendation: if you’re looking for a small, light and not very expensive camera, the new Rebel is a good choice, as the photos quality is expected to be very similar to the ones taken by its older brother. But, if the weight is not a priority and you can spend an extra $300, you should definitely consider purchasing the older EOS 90D, which will provide comfort at every day’s work.
Canon confirms: the company has no plans to create any new EF lenses
It’s official! Canon has no plans to create any new EF lenses for DSLRs… unless photographers demand more.
This news comes straight from the horse’s mouth, as Canon Europe pro product marketing senior manager Richard Shepherd states:
“As you know, last year we launched the RF mount and EOS R system”, Shepherd tells Digital Camera World. “To date, we’ve launched ten critically acclaimed lenses, and as it’s a new system we plan to continue this, launching more RF lenses while still fully supporting the EF lens system.
“And of course, should the market demand it, we are ready to create new EF lenses. But for now, our focus is on RF.”
What’s next for the market?
Although Canon had already stated in 2019 that it would be ignoring EF lenses for the year to focus entirely on RF, this news is still quite shocking. With these plans have been extended indefinitely, one may wonder: what happens next?
Canon is the absolute leader of DLSR sales in the world of professional photography. Will this decision influence other manufactures and make them reconsider their plans? As for today, Nikon – with its newest DSLR, D780 – seems to cherish its relationship with the DSLRs. For how long? We will see.
The D750 was one of the most popular DSLRs and we are not surprised by it. But now, with the D780 already available, it is time to ask yourself: should I change my oldie?
Improved Autofocus in D780
Maybe it is not the key feature and not everyone likes using it, but if you do, you will see the difference.
In conventional DSLR mode, the D780 uses the same 51-point AF module as its predecessor but the AF system is informed by information from a 180,000-pixel metering sensor (the D750 has a 91,000-pixel sensor). This is only the first part of the improvement. The D780 received algorithms from those of the D5 professional sports camera, so its AF performance should be outstanding.
Moreover, the D780 has on-sensor phase detection, which provides the kind of distance information needed to quickly drive DSLR lenses. It also gains the AF tracking system from the Z-series cameras, including Face and Eye detection modes.
This detection will be a visible improvement for portraits, which seems really useful in everyday dental photography.
Sensor and JPEG engine
In dental photography, we are using mainly RAWs, but every once in a while there is no time for the postproduction and JPEGs are can be a salvation.
The sensor in the D780 is a newer design, either identical or closely related to the one in Nikon’s existing Z6 mirrorless camera. This means it has a BSI (backside-illuminated) design and, more significantly, dual-gain architecture.
This allows the camera to have a maximum dynamic range at base ISO with improved noise characteristics and better flashlight battery performance. What is more, these features will let the flashlight to work faster for portrait and intraoral photographs, when we are using the maximum aperture and we need more light.
We would expect the D780 to produce JPEGs with better sharpening, more pleasing colour and more sophisticated noise reduction compared to those from the D750.
The D780 should also offer a slight upgrade over the D750 for Raw shooters, but it won’t be crucial when deciding whether to upgrade.
The mirrorless AF in a DSLR
The D780’s live view interface is directly borrowed from the Z-series cameras. It will work slightly differently than the through-the-viewfinder system: AF tracking needs to be actively cancelled and always resets to the central position.
But if you’ve only shot with a DSLR before, you’re likely to be immediately impressed by how well the live view AF performs. Particularly for taking pictures of people, and we always pay special attention to these features in Dental Photo Master.
It looks like the D780 tries to combine the DSLR and mirrorless best features at the same time.
Build and Design
The Nikon D750 and D780 are largely similar in design, but there are a few changes you may want to be aware of. Here’s a comparison of the cameras’ rear layouts:
The biggest change is that the D780 adds a dedicated AF-On button, so you no longer need to assign the AE-L/AF-L button in order to enable back-button focusing. Other, smaller changes include shuffling the live view button up to the top, moving around the and info buttons, and moving the AE-L/AF-L button down a bit. Also, the negative magnification button which once doubled as an ISO control is now doubling as a metering control instead.
In the top view, the changes are minor. The only important change is that the metering button on the top has been replaced with an ISO button (a welcome change, in my opinion), and then shifted to the right.
Summary
The D780 shoot at 7fps rather than the D750’s 6.5fps
Switch to live view and electronic shutter mode and the D780 will deliver 8fps or 12fps if you’re willing to take the slight dynamic range penalty of dropping to 12-bit mode.
The optical viewfinders are the same: pentaprisms with 100% coverage and 0.7x magnification.
The D780 still has an in-body (screw drive) focus motor and AI tab, to allow its use with a broad range of older F-mount lenses. The D750 had both features, but notably, the FTZ mount adapter for the Z-mount cameras doesn’t.
The D780’s rear screen still tilts up and down on a rugged-feeling cradle as the D750’s did, but the dot-count has doubled and it’s now touch-sensitive, making the camera much more usable in live view mode. This seems more like a mirrorless lovers thing, but it is a good way to check what is the best way for you.
The video mode is one of the least important in our work, but it is worth to point that one of the clearest enhancements on the D780 is its video performance. This is immediately apparent from the fact it can shoot up to 4K/30p or 1080/120p, rather than the 1080/60p of the D750.
The most immediately apparent difference is the lack of internal flash. Nikon says the camera can be better weather-sealed if you don’t include a pop-up flash, but any dental photographer looking to use the D780 must be aware of the additional cost, as he will be forced to buy an additional transmitter.
The D780 uses the latest EN-EL15b battery. It looks like a slightly more angular version of the existing EN-EL15 batteries, the distinction being that the ‘b’ variant can be charged over the camera’s USB socket. The D780 can still use the older 15a and 15 batteries but without USB charging, and with significantly reduced battery life if used with the original EN-EL15 batteries not marked Li-Ion20.
Should I buy a D780?
If you are still a DSLR person, but thinking about changing it to a mirrorless camera in the future, the D780 is a good first step to take. Thanks to these features you can check how does the viewfinder less work looks like and if it satisfies you.
Working with a viewfinder and using the manual AF while taking the intraoral photographies is more precise. On the other hand, it requires a bigger physical exercise, so maybe it is worth to give a live view a chance and spare our spine? The D780 offers two possibilities: live view with a better AF straight from the mirrorless and a viewfinder taken from the DSLR.
But if you are a mirrorless fan and you can’t imagine working with a viewfinder, you should not take this even under consideration and go straight towards a cheaper mirrorless.
What should be the reasons to buy the D780? If you have a significant investment in F-mount lenses, your style of shooting demands an optical viewfinder, or simply if you prefer using an optical viewfinder, it might be a good choice.
Our Recommendation
As most of these comparisons, the choice between the Nikon D750 and D780 is all about price.
Personally, I still consider the D750 to be one of the best values in Nikon’s lineup, especially used, for dental photographers on a budget. The other benefits of the D780 are still quite good, and they may be enough to put the camera over the line for you. If your budget is limited, for a price difference of $800, I’d rather buy the D750 and a good lens.
The lens is the first one from Venus Optics designed especially for APS-C mirrorless cameras and comes in three different versions: for Sony E, FUJIFILM X and Canon EF-M lens mount.
The producer says it is the only APS-C mirrorless lens in the market that is capable of achieving a 2:1 magnification. Its 9-bladed aperture can be manually set between f/2.8 and f/22.
The full-frame equivalent focal length of this lens is approximately 100mm – this length is also the most popular amongst other producers. The Laowa 65mm 2X Macro lens can focus from 2:1 all the way to infinity so it can also be used for standard shooting, like portraits, which makes it really useful in our everyday dental photography. The 2:1 maximum magnification ratio along with a minimum focusing distance of 6.7” (17cm) makes it a very capable macro lens. Standard magnification (1:1) is always needed by any photographer, but when it comes to the intraoral photography, the 2:1 magnification expands dental photographer’s opportunities.
One must remember, though, about the difficulties that manual lens may cause: the fully automatic aperture allows to focus in a clearly better and easier way and this is the price we need to pay in this case.
Below is a collection of sample images provided by Venus Optics:
Laowa 65mm f/2.8 2X Macro APO Lens for APS-C
Technical Specifications
Focal Length: 65mm
Aperture: f/2.8 – f22
Angle of view: 24.4°
Lens Structure: 14 elements in 10 groups (3 extra-low dispersion glass)
Aperture Blades: 9
Min. Focusing Distance: 17cm
Max. Magnification: 2x
Focus mode: Manual Focus
Dimensions: φ57mm*100mm
Filter Thread: φ52mm
Weight: 335g
Format Compatibility: APS-C
Mounts: Sony E / Fuji-X / Canon-M
Price & Availability
This newest Laowa lens is already available and it cost around $399.
Well, this is a real bombshell. After last days with rumours and unconfirmed leaks it seems that we can be sure what will the EOS R5 look like.
The awaited camera seems to be a mirrorless update to the 5D Mark IV.
Taking all the rumours and news under consideration, these are the expected specifications:
45mp full-frame CMOS sensor
IBIS
5 stops with IBIS alone
7-8 stops of correction when used with in-lens stabilization
12fps mechanical, 20fps electronic
Scroll wheel added to the back
No-touch bar
Liveview/Movie toggle like previous EOS DSLRs
Larger capacity battery, but looks like the LP-E6
8K @ 30fps RAW
4K @ 120fps
4K @ 60fps
Built-in 5GHz WiFi
New battery, but the same shape and compatibility as the EOS 5D Mark IV
Announcement ahead of CP+ next month. It seems like Canon will release the confirmation within the next few weeks, but the EOS R5 should be available in July 2020. Unfortunately, the price of the newest Canon baby is still a secret. Looking at the specs we are really looking forward to touch it!
Mitakon 85mm 1x-5x Macro Lens new & better version available
This construction will stir the blood of extreme Macro lovers!
When Mitakon has released its 85mm 1x-5x Macro Lens at the end of 2019, many photographers – with us among them – were excited to hear that the Canon MP-E 65mm f/2.8 1x-5x lens will have a solid competitor. What a disappointment it was when it came out that the lens performs really badly! And we don’t mean it was our opinion. It was the opinion of the whole world of photography, and, finally the producer itself.
Zhong Yi Optics, the manufacturer of the lens, says:
We have identified the issue and believe [it’s] coming from a miscalculation of numerical aperture and in turn leads to additional unused light rays reflected into the lens, creating much softer images. We have yesterday built [an] improved prototype and also compared against the Laowa 25mm f/2.8 lens. The result is much more comparable. Although it is hard to compare apple-to-apple due to the different numerical aperture (instead of physical aperture) we have with different working distances. But we can conclude is that the performance is so much better than the existing lens.
Mitakon 85mm 1x-5x Macro Lens after changes – is it worth considering?
The new 1x-5x Super Macro lens incorporates 12 elements in 8 groups structure which delivers impressive resolution from corners to corners. The chromatic aberration is also controlled to the minimum (APO design). Weighing merely 1.65 lbs (750g) and 6.7cm long, it is a perfect companion for, e.g., indoor lab shooting.
The producer promises outstanding sharpness starting with the minimum aperture value, and any user will be content with a convenient working distance (23 cm from the front lens at 1:1 magnification and 9.5 cm at 5:1). The aperture is based on 9 blades and it can be closed up to f/32, which can provide an impressive depth of field.
We need to give credit for admitting to such mistake and really fast reaction. This means that Mitakon gives us the new version only a month later. Is it really better than the original one?
Well, it is better than its original version, that is for sure. It can never achieve Canon’s features, but its price – $499, while Canon comes at around $1000 – is encouraging. It provides 1x-5x Super Macro, which will be extremely useful in everyday dental photography.
If you’re willing to sacrifice some of the details in exchange for a better price, this lens – in its new version – is worth reconsidering.
Sample pictures
How does it cope in practice? Here we are presenting some of the example photographs from the manufacturer (not in the full resolution, unfortunately)
Specifications:
Focal Length: 25mm (5X) – 85mm (1X)
Aperture: Maximum: f/2.8, Minimum: f/32
Camera Mount Type: Canon EF/ Nikon F/ Sony A/ Pentax K/ Sony E/ M43/ Fuji X/ EOS-M
Format Compatibility: 35mm Film / Full-Frame Digital Sensor/ APS-C
Magnification: 1x – 5x
Minimum Working Distance: 272mm (1X) – 100mm (5X)
Optical Design: 12 Elements in 8 Groups
Diaphragm Blades: 9
Autofocus: No
Filter Thread: 58mm
Dimensions (DxL): Approx. 2.64 x 4.8″
(67 x 122 mm)
Weight (Collar included): 1.65 lbs (750 g)
Pricing & Availability:
Zhongyi Mitakon 85mm f/2.8 1-5X Super Macro Lens is now available to ship and purchase at ZY Optics authorized resellers, like BH Photo Video, and at manufacturer’s official website. The MSRP without tax is $499 US.
If you want to know more about macro lenses, visit our training online!
The new DSLR from Nikon will be available by the end of January.
Nikon D780: Personalization possibilities
Nikon introduces a DSLR with features and benefits that were only available for its Z-Series before. It also inherits some features the company’s professional D5 and D810 models.
Therefore, Nikon is giving us a signal: the DSLR era is not over yet. Is it possible that mirrorless cameras, with all their possibilities, small sizes and capacities won’t take the market over? Time will show. At the moment, Nikon is saying: DSLR is still strong.
One of the most useful features in D780 is the possibility to personalize your camera. You can easily choose the U1 or U2 profile and set it up according to your needs. Each one can have its aperture and shutter settings – just to make working with the camera even more comfortable. This feature will be appreciated especially by dental photographers who are working with two permanent, best for their work camera settings: one for intraoral and one for portrait photographs. It is convenient to have them on a finger.
Nikon D780: Dental Photographers should be satisfied
What is more, the D780 offers a top (expanded) ISO of 204,800. This parameter can be crucial when it comes to portrait and intraoral photographs. Why? With ISO that high, photographs won’t lose their quality, with flash lamps working longer and faster. Moreover, in the opinion of many professional dental photographers it is better for patients not to be blinded by a strong flash. Lower ISO is, of course, also good to work with, but in dental photography one might consider the higher ISO level to keep things comfortable.
The camera has solid build quality and a tilting 3.2″ touchscreen display, USB Type C port (that can be used to charge the battery) and a pair of UHS-II SD card slots. Wireless options include Wi-Fi and Bluetooth. The D780 can take over 2200 photos on a single charge of its battery, which means 3 days of taking photographs without thinking about charging the battery.
Nikon D780’s key features:
full-frame CMOS sensor
Lens mount: Nikon F
Hybrid AF system automatically switches between focal-plane Phase-Detect AF and Contrast Detect AF
ISO 50 to ISO 51200 with improved noise reduction
4K UHD video with up to 30 fps / Full-HD video with up to 120 fps
Shutter speed from 1/8000s to 900s
12 fps continuous shooting in live view / 7 fps continuous shooting through the viewfinder
3.2″ 2.35m-dot tilting touchscreen
Wi-Fi and Bluetooth
Dual SD memory supporting UHS-II standard
What is the price of this novelty?
Nikon D780’s price starts at $2,299 (body only) at the official Nikon site and will be available on January 23rd.
Nikon Z50: first APS-C mirrorless Z-system camera. Is it worth to use it instead of a DSLR?
Why should the beginners take it under consideration? First of all, Z50 is small and easy to use every day and keep it in any dentist office. One of the features we like is its ability to remember individual settings.
Unfortunately, its performance is not enough to satisfy professional dental photographers. The main disadvantage is the lack of matrix stabilization, which is essential when it comes to dental photography. What’s more, the Z50 has only one memory card slot and battery, that will last only for 300 photographs.
But, of course, this camera has some advantages. We like its magnesium frame, big and convenient grip, 3,2″ touchscreen and electronic viewer with 0,68x zoom and 2,36m resolution. The producer assures that the 209-point AF system will make us happy, especially it cooperates with the eye-tracking system.
What about the lenses?
Here is the rub. The biggest problem for professionals is the limited availability of DX lenses with Nikkor Z bayonet. Of course, one can use the adapters, but – as we all know – it’s not so comfortable. If you need a camera for professional photography, you might wait for a wider range of lenses.
Nikon Z50 will be available in November, and its price is a really nice surprise. The body will cost $859. Very reasonable price for a beginner.
Is it the end of the DSLR?
We appreciate that Nikon refreshes its offer with this Z50. We see it as an equivalent of D7000, even though it looks as a smaller Z6 or Z7.
Nikon gives us a signal: the DSLR era is coming to an end. But is it really? Mirrorless cameras are of course smaller, lighter, more modern. But is it enough to push the good old DSLRs out of the market? After all, the optical viewfinder seems to be irreplaceable for some photographers.
How will this competition work out? Only time will tell.
If you’re looking for a new DSLR for your dental work, the time has come
The Canon EOS 90D is out now! After weeks of rumors, we can finally reveal all the details.
What do we get? Quite a lot. A brand new 32.5-megapixel sensor with more resolution than any other APS-C camera and uncropped 4K video for the first time in Canon’s APS-C camera range, as well as 10fps continuous shooting (11fps in Live View).
According to Canon, the EOS 90D is built on the design of the EOS 80D, with a familiar body and a large grip for better balance and handling with larger lenses. You will also find twin multi-function dials, including one newly-created multi-controller on the back, lifted from already known Canon’s pro DSLRs. The EOS 80D was one of the Canon’s best-sellers and favourite camera of dental photographers, so this feature looks great.
Dual Pixel CMOS AF system makes the EOS 90D as fast and as flexible as any mirrorless camera. What’s more to check is if its accuracy will help with focusing on objects with lower contrast, like teeth.
Canon EOS 90D: who should buy it?
In our opinion this DSLR is one of the best choices for anyone who values quality. It will make a good choice for the beginners in dental photography, but the experienced ones should be satisfied, too. The EOS 90D, with its features and price, is as good as a full-frame camera, even with its smaller sensor.
The most important features of Canon EOS 90D are:
Newly Developed 32.5 Megapixel APS-C CMOS sensor with no loss of image quality or increased noise levels
10/11fps continuous shooting with AF and AE (11 fps in live view)
DIGIC 8 Processor for enhanced image quality and performance
New 8-way multi-controller/joystick in addition to previous 8-way multi-controller
45-point all cross-type AF system with up to 27 f/8-sensitive AF points and new Single-point Spot AF available in both conventional and Dual Pixel AF
Live view featuring ultra-low-light EV -5 AF (EV -2.5 in 4k video recording and EV -3 in Full HD)
4K UHD video at 30p/25p, uncropped or cropped (for a narrower angle of view from same focal lengths)
Dual Pixel CMOS AF with 5,481 selectable AF points and eye detection/tracking including in servo mode for both stills and video
ISO 100-25600, H(51200)
Large, intelligent viewfinder with approximately 100% viewfinder coverage
Built-in Wi-Fi and Bluetooth capability for easy/auto transfer of images and movies to compatible smart devices
Touch screen vari angle 3.0″ (77mm) 3:2 Clear View II TFT, approx. 1040K dots
New 220K pixel RGB + IR metering that now includes EOS iTR AF with face detection
Photon: mini modular studio for product photographers
Photon just launched on Kickstarter and has already collected its financial goal. Does it mean that this tool is really needed
Photon is a mini studio that features a powerful system of flexible LED lighting. It has 20×20-inch (51x51cm) modules that can form the other three sides of the box. These modules feature 25 active light blocks that measure 4×4 inches (10x10cm) each, and each block has 36 LED elements. With three modules surrounding your product, you’ll get 2,700 total LED lights illuminating the scene.
You can also easily control the lighting level using your smartphone: each panel features its own Wi-Fi transmitter.
“Object shooting equipment is often bulky, outdated and too expensive,” say Photon founder and CEO Iaroslav Neliubov. “Standard photo boxes are mostly made for an isolated object on the background, and it was still difficult to cope with the light. That’s how we got the concept of controlled light system.”
Any dental technician will be pleased to have a tool like Photon. In our opinion it seems to be a great way to photograph this kind of work.
If everything goes well, Photon will be available in June 2020.
Omni Creative Filter System is a kit featuring a screw-on Filter Ring for existing lenses, as well as Effect Wands that magnetically attach to the ring in front of the lens. It is designed to give photo effects similar to app filters, but – what’s important for professionals – with a greater level of control and repeatability.
The system comes with 58mm and 77mm Filter Ring options and it features three effects: Crystal Seahorse, Rainbow Film, and Stretch Glass.
Although it seems to be very “instagram” tool, dental photographers may also use it to make their work more creative and distinctive.
Installation of the kit is very easy. The magnetic mounts attach to the Filter Ring, then the Effect Wands attach to the magnetic mounts. The wands can be easily relocated by sliding them around the Filter Ring. The kit is designed to operate with the majority of prime and zoom lenses, including of course both auto and manual focus models.
Sigma surprises with the newest ‘baby’: Sigma ‘fp’
Will it be enough for Dental Photography enthusiasts? This ‘L’ system camera can really mess with the market, as it seems really interesting. Let’s have a closer look.
Sigma ‘fp’ is the smallest and the lightest (113 x 70 x 45 mm, 370 g) available full-frame system camera. But make no mistake, this little “toy” has much more to offer.
Its body is a real photographic devil. It has 24,6-mil BSI CMOS sensor with traditional Bayer filter which will let us work in ISO 100-25600 sensitivity range. It can be expanded up to ISO 6-102400. We’re curious of photographs taken with the lowest expanded sensitivity.
Interestingly, the Sigma ‘fp’ has no mechanical snapshot – only electronic one. Thanks to this feature the serial mode has 18 frames/second speed (unfortunately with only 12 RAW photos in one series) and autofocus senstitive up to -5V.
The system is based unfortunately on contrast detection, but Sigma’s access to DFD technology – thanks to their cooperation with Panasonic – promises it shoud be working well. Additionally we get the face and eye detection system.
Your camera, just how you like it
The newest Sigma is not only about its size and specification. The producer introduces the ‘fp’ camera as a breakthrough and a totally new level of freedom for its users. What does it mean? In the near future you will be able to buy accessories and modules, like: grips, a viewfinder for LCD screen, handles for lamps with hot stands or even an electronic viewfinder.
What can we find in the newest body? A wide range of color presets, also with special filters to obtain similar effect to the one with the LUT boards, and with the possibility to control the intensity of each effect. We will also get the Auto HDR mode, working in the photographic mode as well, and possibility to create cinemagraphs.
The body is also dust- and waterproof.
Size Comparison: Sigma fp vs Sony, Nikon, Canon and Panasonic
Key features:
Body type, rangefinder-style mirrorless
Max resolution, 6072 x 4056 px
Effective pixels 24,5 Mp, 24,6 Mp
Sensor size, Full Frame (35,9 x 24 mm)
Sensor type, BSI CMOS
ISO: Auto, 100-25600 (expands to 6-102400)
Lens mount, Leica L
Screen size, 3.2″
Manual exposure mode, Yes
Storage types, SD/SDHC/SDXC
Connectivity, microHDMI, Wi-Fi, USB 3.1 (USB-C)
Weight (inc. batteries), 370 g
Dimensions, 112,6 x 69,9 x 445,3 mm
Sigma ‘fp’ price and availability
The newest Sigma will be available this autumn, but its price is yet unknown. We’ll keep you posted!
If you’re a mirrorless cameras fan looking currently for a low-budget lens, this news is for you. We’ve found a great option for anyone who wants to start a dental photography adventure.
You’ve probably known the Chinese company for its outstanding, low prices. The optical quality might not be the highest, but their products are definitely sufficient for beginners in dental photography.
The cheapest macro on the market: How does it work?
7Artisans 60 mm f/2.8 is created for cameras with the APS-C matrix, so it gives the equivalent of 90 mm focal length
with minimal distance of sharpening (26 cm) it gives us the maximum magnification, 1:1
the optical system is based on 8 elements in 7 groups and has a diaphragm with 10 aperture blades, which we can close to f/16
the lens is made of metal with a stepless aperture adjustment ring; it will be helpful for those who like to focus manually while taking photographs of the interior of the mouth and while filming
the producer provides an extra sleeve to put on the lens: thanks to this, the front element will remain clean
the lens is quite small: 66 x 55 mm, but also rather heavy: it weighs 550 g
Let’s have a look at some example photographs. The producer didn’t share them in high resolution, but we must say: the quality seems to be just fine.
The exhaustive list of available mounts and corresponding sensor sizes means that the lens will possess a different effective focal length, depending on which system you use:
Canon RF – 60mm
Nikon Z – 60mm
Leica L – 60mm
Sony E – 90mm
Fujifilm X – 90mm
Canon M – 96mm
Micro Four Thirds – 120mm
Price and availability
As said before, the 7Artisans products are usually available at a really good price. This macro lens confirms this opinion: it costs only 179 Euro. Even if it won’t provide the highest image quality, it’s worth to give it a chance.
Stabilization system may not work properly. The producer announces a free recall
D5, D500 and D750 were flawless and for a minute we thought that Nikon has solved its problems and knows how to avoid manufacturing defects, so common in the past. Unfortunately, the nightmare is back, and it’s attached to company’s key products, the mirrorless full frame Z6 and Z7. What’s more, the news comes just one day after the newest update has been released.
The stabilization is not able to use its possibilites, Nikon says
“We have noticed that the reduction of vibrations doesn’t work properly in some of our Z6 and Z7 mirrorless cameras. We will repair them for free” – says the producer.
As Nikon doesn’t explain exactly what does this defect mean for the user, we guess the problem lies in the VR mechanism. Otherwise, this could be solved with the firmware update. Nikon wouldn’t say which part of the camera may be out-of-order. Instead, the producer has prepared a special search engine for Z6 and Z7 owners.
How can I check if my Nikon is broken and what should I do next?
First of all, you should use the search engine on the official Nikon’s website. If your camera shows up as the one with this problem, you should contact the closest Nikon service point. Employees will check your camera and repair it, even if your warranty is expired or not valid in your region.
We are very sorry for the inconvenience that this matter may cause. The Nikon company will pursue the effort to avoid similar problems in the future – ensures the producer.
A screenshot of the Z7 serial number checker website.
This new manual Laowa 100 mm f/2.8 2x Ultra Macro APO has no equivalent on the market.
The Chinese producer once again is ahead of its competitors with this new lens. Manual, 100 mm focal length might conquer hearts of dental photographers.
Few sample photos provided by Laowa:
The full macro
The lens has – as many others – 100 mm focal length and f/2.8 max. aperture, but its 2:1 magnification ratio (while photographing from a 24.7 cm distance) is the distinctive value. What’s more, its dimensions are 75 x 125 mm and it weighs 683 g, identical as rivals with only 1:1 magnification.
The apochromatic optical system, based on 12 lenses in 10 groups, eliminates the chromatic aberration. The producer promises also an outstanding sharpness and radiopacity.
Depending on the system, the lens will have various numbers of aperture blades: Canon EF – 9, Nikon F – 7, Sony E – 13. Mirrorless users will be able to appreciate a „soapy” blur of sharpness. The most comfortable version is the one for Canon, with an EF bayonet and equipped with contacts, making it possible to control the aperture from the camera and moving full EXIF data.
Key features:
Focal length: 100 mm
Open F value: F 2.8
Filter Size: 67 mm
Lens construction: 10 groups of 12 elements
Number of diaphragm blades: 9 (Canon), 7 (Nikon), 13 (Sony FE)
Minimum aperture: F22
Maximum aperture: F 2.8
Minimum photographing distance: 247 mm (2x)
Maximum magnification: 2:1
Weight: 638 g
Price and availability
The lens is already available in presale at $450. Shipping is planned for the beginning of June.
This flash trigger is not only new. It is also unusual thanks to its button-free handling.
“From time to time something comes along that changes everything, this is one of those rare occasions,” Profoto says. Is it really? Let’s take a closer look!
Connect is a sleek, black, puck-like pod that sits on top of the camera via the hot shoe mount. It has only three settings: auto, manual and off. You can select one of them by turning the top of Connect to one of three positions. And that’s it!
Auto mode is as easy as it can be. While pressing the camera’s shutter, the correct flash exposure is automatically calculated.
In manual mode you have bigger control over your flash. Connect connects to Connect app via bluetooth. There you can adjust the power of your flash as you wish.
The button-free handling seems convenient and this is what we are looking for when it comes to dental photography.
The Profoto Connect operates on the 2.4GHz frequency and can control any Profoto AirTTL flash with an operating range of 330 to 1000 feet. It features 8 channels and a 30-hour battery life with its rechargeable battery. What’s clever, the trigger turns off automatically after an hour of inactivity.
Canon has just released its full-frame mirrorless EOS RP camera for $1299, and it’s the best moment to take a look at how it looks against the Canon EOS R. The two cameras actually have a lot of differences under the hood, in everything from autofocus to sensor characteristics. The EOS R comes out ahead of the EOS RP in most respects – but at $2299, is it worth the $1000 difference in price?
BATTERY
What is the biggest – and at the same time the most disturbing – difference? Unfortunately, the battery. The EOS RP gets the LP-E17 (1000 mAh) type, known from the EOS-M line. Its capacity is twice smaller than the LP-E6N’s (1860 mAh), used in the EOS R. Everyone remembers that battery was not the EOS R’s strongest point, so… its weaker version in the EOS RP causes a problem. One will need to have one or two spare batteries, as the specification says about 250 photographs achievable with the battery fully charged. Of course it is possible to arrange and eventually someone will present the battery grip adjusted to the model. But let’s face it: the battery should not be such a disappointment.
VIEWFINDER
The RP model has also smaller electronic viewfinder (0,39 of an inch vs 0,5 of an inch; zoom 0,7 vs zoom 0,76) with a slightly smaller resolution – 2 360 000 points vs 3 000 000 points. But the difference is not so visible and the zoom in the EOS RP is just enough. The viewfinder is light, contrastive and doesn’t smudge. Lower resolution is visible when you compare the two models, but we can’t say it writes off working with the viewfinder of the RP.
TOUCHSCREEN
The rotated LCD touchscreen in the RP is – as always in Canon’s products – great: light and reacts immediately. Even though it is, according to its specification, weaker than the one in the R, it’s hard to see the difference with the naked eye. The R had a 3,15-inch screen with 2.1m resolution, while the RP has a 3-inch screen with 1.04m points. It looks like a big difference, but it really shows only with the 100% enlargement. 1.04m is still a standard resolution so we wouldn’t complain about it.
AUTOFOCUS
The AF system is also weaker than the EOS R’s, but it is still one of the best available on the market. We get 4779 active (up to f/11 value) phase detection points (5655 in the EOS R), covering 88% horizontal frame and 100% vertical frame, sensitive up to -5EV (-6EV in the “R”). Autofocus sharpens the acuteness in only half a second.
There is one flaw that shows immediately. We mean the AF point control – while looking through the viewfinder the frame shows with visible delay relative to the movement of a finger on the screen. One may complain about it, especially given the lack of a joystick. But it is possible to get used to it, easier with narrowing the AF point control to one quarter of the screen.
Unfortunately, when it comes to Autofocus, the “R” model wins it without any doubts.
SIZE AND WEIGHT
This is where the differences between the EOS RP and the EOS R are most obvious. The EOS RP measures 132.5 x 85.0 x 70.0mm and weighs just 485g, body only, while the EOS R comes in at 135.8 x 98.3 x 84.4mm and 660g.
The EOS R is not just wider, taller and fatter than the EOS RP, it’s also 175g heavier. But small size and light weight aren’t everything. While the EOS RP is small, many of Canon’s RF lenses are not, and we’re almost sure that the EOS R will feel a better-balanced camera with many of these new lenses.
SENSOR
Looking for more crucial differences? We need to look inside and stop for a moment to see the construction. First of all the image sensor has 26 megapixels (EOS R – 30 megapixels), and it is based on the same system as SLR EOS 6D MARK II. Purists may complain about the narrowed down dynamic range, but let’s not overdo it. Professionals for years used EOS 5D MARK III with a very similar sensor and their work was outstanding.
It is also worth to mention that the eye tracking system works in the serial mode and in the permanent AF measurement. Maybe it is not as perfect as in the recently showed Sony A6400, but it is just enough for the static portrait photography. The eye tracking system works also in the movie mode.
Both cameras have full-frame CMOS sensors, but the EOS R has slightly higher resolution at 30.3 million pixels versus 26.2 million pixels in the EOS RP.
It’s a small difference. The EOS R brings other enhancements and features too, but if outright resolution is all you’re interested in, the EOS R’s advantage is fairly marginal.
PROCESSOR
It’s not just the sensor that affects a camera’s performance but its image processor too, and here the playing field is dead level. The EOS RP and the EOS R both have Canon’s latest DIGIC 8 image processor and they both have the company’s DLO (Digital Lens Optimizer) feature for enhancing fine detail in images shot with Canon lenses.
ISO RANGE
With the same processor and similar resolution, it’s no surprise that the EOS RP and the EOS R offer the standard ISO range of 100-40,000, expandable to ISO 50-102,400. We’re quite pleased that Canon has not reduced the maximum ISO of the EOS RP to keep it below the EOS R.
MATTERING
Keeping with the similarities, the EOS RP and the EOS R both use a 384-zone Evaluative metering system, supplemented by Partial, Centre-weighted and Spot metering options. Neither camera supports linking the spot metering point to the AF point, but both offer anti-flicker shooting for more reliable results under artificial lighting.
MEMORY
The storage systems are identical. The EOS R has come in for some criticism for having just a single SD/SDHC/SDXC memory card slot, but it is UHS II compatible, so while it doesn’t take the new super-fast XQD/CFexpress cards been introduced by other brands, it should still be quite fast enough – and the EOS RP shares the same UHS II compatibility.
IMAGE STABILISATIONS
The image stabilisation systems are the same too. Neither camera has in-body image stabilisation (though Canon is reported to be working on such a system) so both rely on lens-based IS. The EOS RP does offer Digital IS for movies, which is not mentioned in the EOS R’s specifications, though the EOS R is better adapted to professional video use as we’ll see shortly.
MINOR EOS RP FLAWS
Does anything else in the EOS RP bother me? Yes, the location of the slot for an SD card (on the bottom, close to the battery), differences in connectors (USB with charging option, but with 2.0. instead of 3.1. mode) and lack of connectors to attach a battery grip with extra shutters and buttons.
PRICE
We know this is the factor you’ve all been waiting for, so here it is. The “RP” is cheaper by about 40% and that makes a huge difference.
SUMMARY
The key question is: is the EOS R worth all that extra money? Or do you lose too many important features when you ‘downgrade’ to the much cheaper EOS RP?
In my opinion, if you just want to start with the full-frame mirrorless camera market and you’re a beginner or medium dental photographer EOS RP is almost as good as EOS R at a significantly lower price. It will be just enough and even more. Don’t worry! The EOS RP will give you really good results and has many great features to use them.
But, if you are an advanced dental photographer and you are planning to use your camera to record the video, then you should definitely consider buying EOS RP. I think the extra performance and features of the EOS R will soon make you forget how much extra you paid for it.
At this moment, this is the one of the best available systems.
NIKON goes ahead expectations with its FTZ mount adapter
This is great news for all of us, dental photographers. From now on, Nikon’s FTZ mount adapter will be included for free with the purchase of all Z6 and Z7 cameras in the United States.
Previously, it costed around $250 when bought on its own and $150 when bundled with the Z6 or Z7 camera. Now you can forget about this expenditure and spend the money otherwise.
We hope that Nikon will expand its offer to countries in Europe and other markets. After all, there are fans of the Z6 and Z7 all over the world.
LEXAR 1TB – THIS CARD LOOKS IMPRESSIVE, AND WE DON’T MEAN JUST ITS CAPACITY.
Bigger and bigger photos, video in 4K – these changes need new solutions, like fast cards with bigger capacities. But if safety is important for you as well, this new card will be your best friend.
LEXAR IS BACK ON TRACK WITH SDXC CARD
Few things to know about Lexar Professional 633x SDXC? Record-breaking 1TB capacity, read transfer speed up to 633x (95 MB/s), write speed up to 70 MB/s, ability to work in challenging conditions and the fact that is out now.
In 2017 Lexar landed in Chinese producer Longsys and we wondered if its offer would still be expanded and how? Today we must admit: they did it well.
Of course, out of duty, we need to mention Sandisk 2016’s card with 1TB capacity. The only problem was, it never hit the sales. Unlike it, Lexar’s card is available already and costs around $500.
WE SPENT $500, AND WHAT DO WE GET?
Class 10 performance–leverages UHS-I (U1 or U3 depending on capacity) technology for a read transfer speed up to 95MB/s (633x) and 70MB/s write (guaranteed permanent write speed is 30 MB/s)
1TB capacity, but you can also choose cheaper cards with capacity: 521, 256, 128, 64, 32 or 16 GB
Ability to work in challenging outdoor conditions: from 0° to 70°C, or keeping it in -25° to 85°C with humidity range 5-95%
IS IT WORTH IT?
$500 is quite a lot, but in our opinion, this card is just worth the cost. Apart from its huge capacity and other features, working with a card from a known producer is safer. The card must be reliable.
If you’re looking for tips on how to rip and organize your photos of many patients visiting your dentist office, check out or lesson:Dental Office Digital Workflow
The new mirrorless Canon seems to be launching a totally new branch in the mirrorless world. Is it possible that this low-budget and newest camera will be the best choice for dental photography? It seems so, and I will tell you why.
This Canon is almost flawless, so please stop looking for a catch. There is none. The price looks so good, one may think: how is it possible? Canon says honestly: the goal was to create a low-budget option for anyone who wants to step into the full- frame world. But how come it’s made so well that we can easily call it a mirrorless breakthrough?
It took me only a few seconds to know that the new Canon makes a way better impression than its specification reveal. I’m not expecting miracles and of course the EOS RP can’t give me the best of the best, but its possibilites are just enough for beginners, photographers working in a controlled environment or just as a second camera.
Canon EOS RP – not expensive, but still solid
Body is quite small – but not too small! – and light (132,5 x 85,3 x 70 mm, 485 g) and it fits my hand perfectly. It’s almost as comfortable as the EOS R from the last fall. They share some ergonomics and in my opinion, at some points, the little brother is even better than the older one.
The most comfortable PASM knob is back now. The smaller body makes it easier to reach with thumb the upper function knob and to control the AF button. I guess nobody would miss the touch screen from the EOS R, it wasn’t its best feature.
Apart from that the EOS RP has all the best qualities of its antecedent:
the Flexible Priority mode (easy switch between lens and time preselection modes and manual mode)
the possibility to use the RF functional ring to control the exposure parameters or selected feature
the C-Raw record which allows to make the files twice lighter with the same resolution
the best available on the market touch-control system
Another plastic toy? Not this time. The new body also has a magnesium frame (the core and the back panel are made of metal) and it is durable. I really must say that when I held the EOS RP for the first time, I had no impression that it is poorly manufactured.
What caused a little problem, was the battery. It lasts for about 250 photos, so carrying 1 or 2 spare batteries is something that I must get used to. It’s not the camera’s strongest point.
Our first conclusions
You may get the impression that I’m trying to defend this low-key option even though it cannot be compared to the opponents’ offer. But this camera was awaited by the market. Light, fast, comfortable, affordable. With full-frame, rotated screen, great touch control, and fantastic AF system. I guess this is what dental photographers need! Let’s not forget the quickly growing family of impressive system lenses and this makes a full picture.
When it comes to dental photography I’m predicting that Canon EOS RP will be the sales blockbuster in 2019. I appreciate it also for the fact it doesn’t try to pretend to be the better version of itself.
Props to the producer for creating this model – it can really make a change on the market and will surely interest fans of mirrorless cameras with the RF system. Of course, now we are only waiting for the competitors to create their versions and give us a bigger choice. But until then – the EOS RP is the cheapest full-frame on the market and has no competition in its sector.
ADVANTAGES:
svelte and lightweight body
reasonable price
4K video
fully articulating screen
three own settings: c1, c2, c3, perfect for dental photographers
Have you ever wondered what is the future of mirrorless cameras in dental photography? I have and I want to share my thoughts with you.
As we all know, mirrorless cameras aren’t the most wanted among dental photographers. But they do tend to like new solutions and no wonder they’re curious if the mirrorless revolution will make a true change.
As a huge gadget fan, curious to know if they can make a difference, a few years ago I bought a Panasonic GF1. And I was disappointed – although the AF was great, the final quality was not so good. I especially didn’t like the tonality of pictures. After using it for a while, I sadly had to admit: the ISO parameters were too weak to make it work for professionals. This made me drop the mirrorless subject, but now it’s coming back – and it seems that everything has changed.
Although I don’t know what will the future bring, I know today that they’re two reasons to think that a change is coming.
Why? Let’s take a closer look at the 2018 mirrorless Canon-Nikon war.
Both companies released their full-frame mirrorless cameras. Nikon Z7 arrived in September, while Canon EOS R came along one month later. So what, you may ask? Well, the result is quite interesting – in Japan Canon has sold twice as many units as Nikon! Even with this one-month „delay”. Moreover, what is an even bigger surprise, in Japan Canon is outselling every Sony model as well. And that is what we call a big entrance.
I guess that Sony wasn’t celebrating this New Year’s Eve riotously, according to the news from the Japanese market. Before the Canon and Nikon era, the company held its 99,5%. Now, after a few months after the big boys have arrived, it has only 67% – Canon took 22,1% and Nikon 10,4%. And just for the knockout it turns out that Canon EOS R is more popular than Sony A7III and Sony A7RIII, known as „the best mirrorless cameras”. Well, not any longer, I guess, even though the EOS R famously has many limitations.
And now we’re waiting for premieres in 2019, with the new Panasonic SLR that can surprise us all. And what about the APS-C and micro four-thirds formats with their worse results? I’m guessing this New Year will be exciting!
It’s official: this mirrorless war enters into a stage where heads will roll.
But don’t worry: we are safe and we will keep you posted about this duel.
Please let me know if you’re using a mirrorless or planning to? Any comment will be appreciated!
Here it is, a new dental photography macro lens, Yongnuo YN 60 mm f/2 Macro. Let’s take a closer look.
The Chinese company, appreciated for its flashguns, is introducing a macro lens. Dental photography enthusiasts might be interested, especially that Yongnuo is also affordable . But does its quality can even compete with popular leaders?
The company speaks about lens’ main features, like gold-plated metal contacts for better conduction, integrated electromagnetic aperture, and a focus distance indicator. You’ll also find 10 lens elements in 9 groups, but until now we don’t know whether the optical system includes any special elements.
The glass in the lens features multi-coated technology and, according to Yongnuo, this feature improves light transmittance and inhibits ghost shadow and glare. Let’s hope they will turn out more useful than previous ones, which – in our opinion – were only a simple marketing gimmick.
The lens with 60 mm focal length is optimized for working with close-up subjects and offers a life-size 1:1 maximum magnification along with a 23,4 cm minimum focusing distance.
Macro and infinity modes give the quality needed for dental photography, including portraits and inside mouth photographs.
A 7-blade aperture with f/2 maximum is responsible for circular bokeh and background softens.
The new Yongnuo lens weighs 568 g and measures 76 x 115 mm and its chromed bayonet is supposed to be resistant to damages and corrosion. However, there’s no information about any special sealing and we may assume there’s no such feature.
The producer claims that manual focus design is benefitted by a printed distance scale for accurate pre-focusing and that gold-plated contacts help to provide consistent communication between the lens and camera.
Any updates for the lens can be made directly in-camera instead of via a USB port on the lens. This solution, as Yongnuo says, “avoids the incompatibility problems caused by different computer operating systems”.
Key features:
Focal length: 60 mm
Open F value: F 2
Filter Size: 67 mm
Lens construction: 10 groups of 9 elements
Number of diaphragm blades: 7
Minimum aperture: F16
Maximum aperture: F 2
Minimum photographing distance: 234 mm
Maximum magnification: 1:1
Weight: 586 g
At the moment the Yongnuo lens is available with Canon fixing and the producer provides no information about other brands.
The suggested price is 320 dollars.
YN 60 mm f/2 Macro is a macro lens, but we’re sure it will be also appreciated by portrait fans. It can be a good idea for dental photographers working with the APS-C sensor type.
You thought 1:1 magnification was big – this lens gives you 1.5 times life size on the sensor!
Meike is one of the new brands of independent lens manufacturers, which continue to provide low-cost, innovative designs, and, sometimes, unusual specifications. This new 85mm f/2.8 macro lens is unusual in that it focuses down to 1.5x life size. As announced by the manufacturer, the lens is a functional macro but it is also suitable for portrait photographs. It seems that this is a perfect combination for dental photography.
The heart of this fully manual lens is the optical system composed of 11 elements in 8 groups. Individual elements are covered with special nano-technology multi-layer coatings, which effectively prevent light reflection, minimising the formation of hot spots and flares. The new Meike provides the magnification ratio of 1.5:1, which coupled with the minimum focus distance of 25 cm, focal length of 85 mm, aperture range of f/2.8 and 12-blade diaphragm results in an exceptional depth of field with an appropriately blurred background and the separation of the primary object of the photograph, which will be appreciated also by dentists who would like to take artistic photographs.
There are two focus rings. The first, closest to the front, uses internal focusing and operates down to 0.25m, giving a magnification of 1:1. This means that a 1 cm long object will be recorded as 1 cm long on the sensor. When set to the closest setting, the second ring can be used to continue down to a magnification of 1.5:1, meaning a 1 cm long object will now be recorded as 1.5 cm long on the sensor. This is a significant difference and a fairly unique feature.
Key features:
Focal length: 85 mm
Open F value: F 2.8
Filter Size: 55 mm
Lens construction: 8 groups of 11 elements
Number of diaphragm blades: 12
Minimum aperture: F22
Maximum aperture: F 2.8
Minimum photographing distance: 250 mm
Maximum magnification: 1.5x
Weight: 500 g
Meike 85 mm f/2.8 Macro is available for sale with the Canon EF, Sony E, Nikon F, Fuji-X and M43 mounts. The suggested price is 299 dollars.
The meeting you’ve been waiting for has finally come. Note June 2019 in your calendar, as Dental Photography Conference arrives!!!
Dental Photo Master has the honor to provide the media patronage of the meeting and we’re pleased to announce the key speakers.
You can learn from top experts who have a passion for teaching.
Panaghiotis Bazos will give a lecture about trends in dental photography. Dr. Bazos is the authority with many diplomas and degrees from all over the world’s best schools. Calling him a world-class professional in dental restorative techniques is not enough.
You’ll also have the chance to take part in workshops and lecture with Sascha Hein. He is one of the top dental technologists; he conducted independent research, which lead to the development of the visual_eyes liquid and the fluor_eyes flash system for fluorescent dental photography.
There’ll be more great names! You’ll also meet Alessandro Devigus from Switzerland, Carlos A. Ayala Paz from Peru, Javier Tapia Guadix from Spain and Louis Hardan from Lebanon.
Apart from the media patronage, Dental Photo Master will also have its speaker: Krzysztof Chmielewski, our Educational Director. He is the international speaker in the field of implantology and bone regeneration, esthetic treatment and dental photography.
But don’t worry – you won’t be lectured. The greatest thing is that all of our key guests will conduct workshops with participants! This is the best way to learn from your masters. To work with them – it’s an opportunity you can’t miss.
And if you’ll do your best… We’ll have a surprise! You may leave Seville not only with some great memories and lessons learned but also with a new NIKON Z6 or Z7 in your bag. Yes, one of the participants will win this fantastic new camera!
We’re looking forward to this event, really proud and sure this will be the key event in dental photography of 2019.
While taking photographs, many dental photographers focus only on capturing teeth correctly in terms of the technique.
If you want to create great portraits, you can’t forget about the eyes and what is reflected in them. Catchlights in the eyes usually look attractive and make your portraits true eye-catchers.
“The eyes are the mirror of the soul and reveal the truth about the human” – you have already read or heard something like that, haven’t you? Because it’s a rather risky statement on a blog for dentists, I’ll say that apart from a pretty smile it is the eyes that are most important in a portrait.
When taking portrait photographs of their patients, most doctors concentrate on the correct focus setting. Usually we focus on the eyes or the teeth and more and more cameras are equipped with the function of their automatic detection. But not only the focus is important – the light reflected in the eyes of the person matters too.
Leonardo da Vinci applied catchlights to make the people he painted look more vivid. The ability of setting up and selecting light appropriately, will give your portraits extraordinary character. The light will be reflected in the eyes differently depending on if it comes through the window, from the softbox, or from the ring lamp. Remember about this while taking photographs and take time to set up the light or the model right.
The simplest way to achieve a pretty catchlight is to use the reflector.
Below you can see a few shots from our session held while recording with Carlos Ayala. We photographed our model, Michelle, in such a manner that the reflector can be seen in her eyes.
In our daily routine, we don’t notice the light reflected in human eyes because this is something common. A person appearing in a photograph without catchlights might look unnatural. Catchlights can be additionally enhanced in post-production, which doesn’t require advanced skills. The video below presents photographs by famous photographers, thanks to which it’s clear how much difference is made by these small reflections (or their lack).
I hope that this article has encouraged you a bit to experiment with lighting.
If you want to learn more about portrait lighting, I recommend the following lessons:
The key features of Laowa 25 mm f/2.8 2.5-5X Ultra Macro include an advanced optical system, maximum magnification of 5:1, high resolution and excellent colouring of the photographs.
Impressive close-ups within reach
Photos: Alberto Ghizzi Panizza, Jie Ge, Gil Wizen
The optical system of Venus Optics Laowa 25 mm f/2.8 2.5-5X Ultra Macro ensures image magnification from 2.5 to 5x. It’s composed of 8 elements in 6 groups, and one of them is made of ultra low dispersion glass. The manufacturer emphasises that thanks to such a design we can enjoy an appropriate correction of chromatic aberration, as well as images characterised by high sharpness and high reproducibility of colours.
Apart from that, each element composing the system is covered with anti-reflection coatings, which should minimise light reflection and appearance of hot spots and flares within the frame. In addition, the overall contrast of photographs in challenging conditions will be improved. The depth of field is ensured by the 8-blade diaphragm with the range of f/2.8-f/16. The focal length of 25 mm, in turn, is responsible for the 10.3-degree angle of view.
Venus Optics Laowa 25mm f/2.8 2.5-5X Ultra Macro is sized 82 x 65 mm and weighs 400 g. Of course, it’s a fully manual macro glass, which offers an effective focusing capability ranging from 173 to 223.5 mm. The lens is already available for preorder with Nikon F, Canon EF, Sony FE and Pentax K mounts. It costs 399 dollars.
An interesting option is that you can buy an adapter for the Micro Four Thirds (M43) system, so also the users of small mirrorless cameras can tap the potential of this glass.
Key features:
Focal length: 25 mm
Open F value: F 2.8
Field of View: 10.3 degrees
Lens construction: 6 groups 8 pieces
Minimum aperture: F16
Maximum aperture: F 2.8
Minimum photographing distance: 173 mm to 223.5 mm
Working Distance: 40 mm – 45 mm
Shooting magnification: 2.5 times to 5 times
Number of diaphragm blades: 8
Weight: 400 g
Corresponding mount: Canon EF, Nikon F, Pentax K, Sony FE
After delivering two very interesting wide-angle lenses, Irix is releasing a tele-macro model, which may be one of the most perfect designs intended for dental photography.
The Irix 150 mm f /2.8 lens should meet the requirements of even the choosiest users dealing with macro photography. The manufacturer has announced that the lens contains premium optics inside a very robust sealed enclosure. With the focal length of 150 mm and the magnification ratio of 1:1, Irix 150 mm f/2.8 Macro 1:1 lens offers exceptionally convenient work. The higher focal length allows you to move away from the subject, so casting a shadow is no longer a problem, and using external lamps has never been more comfortable.
Zero distortion and easy focusing
The optical system is composed of 12 elements in 9 groups, with three of them made of extra-low-dispersion glass and four others of high refractive index glass. The manufacturer promises that the effect achieved by such a design is unnoticeable distortion of 0.1%. We also get an internal focusing system, thanks to which the glass does not change its size during the focusing. What’s more, the 11-blade diaphragm is supposed to give a pleasant bokeh and to make the diffraction appear much later than in other designs when it is closed down to higher values (up to f/32).
The glass will let you focus already at the distance of 34.5 cm, while the wide rubber ring with the rotation angle of 270 degrees should guarantee high precision and improve your work culture. Another useful option available is the possibility to lock the focus ring.
Robust sealed structure
Apart from that, we get a new version of the Dragonfly finish, which combines the advantages of Firefly and Blackstone lenses. As a result, the whole is relatively light and handy (87 x 135 mm, 840 g) but is still robust – the aluminium frame was enclosed inside an outer structure made of aluminium-magnesium alloys and composite elements. There are also sealings in 5 key places (front element, focus lock ring, focus ring and bayonet mount), thanks to which you’ll be able to work in any conditions. You can screw filters with the diameter of 77 mm on the front element.
In addition, the lens is equipped with a processor, which lets you control the lens aperture from the camera level, and with an AE module, which enables semi-automatic modes (PASM). Owing to this solution you’ll get a confirmation of focus from the camera level and record full EXIF data. The set includes a lens with a deep sun hood, a tripod collar according to the Arca Swiss standard and a rigid case for safe transport and storage.
Price and availability
For the time being, the manufacturer has not disclosed the exact date and the price at which the new lens will be launched. The glass will be available in versions with Canon EF, Nikon F and Pentax K mounts.
So we’re waiting for a really interesting piece here.
Key features:
Focal length: 150mm
Format: 35mm “full frame”
Mount: Nikon F, Canon EF, Pentax K
Max aperture: f/2.8
Min aperture: f/32
Field of view: 16° (diagonal)
Minimum focus distance: 34.5cm
Focus: Manual
Focus throw: 270°
Magnification: 1:1
Aperture blades: 11
Optics: 12 elements in 9 groups
Filter thread: 77mm
Dimensions: 87 x 135mm (without lens hood or tripod collar)
Weight: 840g
More information about the lenses by this manufacturer can be found under irixlens.com
Get inspired by a real dental photography “Giant”, who influences thousands of dentists worldwide.
Watch this exclusive interview with Carlos Ayala:
Thousands of Dentists and Dental Technicians benefited from knowledge Carlos is sharing about Dental Photography.
Already today, your learning may look completely different!!!
[register_button]Register for free[/register_button]
Now, you’ll be able to learn from Carlos Ayala, watching him from your comfy sofa! See the equipment, setup, and settings you’ll need to get the shots.
Watch these videos to see what we have prepared for you:
Canon users were waiting for the new model from 6D series from the last few years. Now we can take a closer look at the results of the hard work of Canon’s engineers.
What you should know and what has changed?
completely new sensor with 26Mpix and ISO from 100 to 40.000
Dual Pixel AF in Live View means easier focusing during rolling video
More comfort thanks to the new fully-articulating touchscreen
Sealed body for the outdoor use
The EOS 6D Mark II hasn’t change ergonomically. When you compare it externally with the predecessor, it’s pretty hard to tell the differences. The main external change is in the addition of a 3″, fully articulating touchscreen LCD. There are more similarities between the models than there are differences. However inside the 6D Mark II is completely different and adopts some solutions from Canon 80D.
What is importat for dental photography? The camera body has the 2 Custom Shooting modes available C1 and C2. You can easily save your most commonly used settings like for intraoral shots or portraits and recall it when you take the shots. It’s easy solution for everyone who wants to stay away from constantly changing and playing between the camera settings.
Another important is fast autofocus mode, which can be the key feature for auto focusing enthusiasts.
The wireless functions, including NFC and Bluetooth are almost standard.
With this camera you can take beautiful portraits and striking intraoral pictures. For creative photographers it’s the model worth considering.
The camera body will be available from August 2017 and the estimated price is 1.999$ (body only).
Key features:
26.2 Megapixel Full-frame CMOS Sensor
Optical Viewfinder with a 45-point All Cross-type AF System1
Dual Pixel CMOS AF with Phase-detection & Full HD 60p
DIGIC 7 Image Processor, ISO 100-40000
Vari-angle Touch Screen, 3.0-inch LCD
Built-in Wi-Fi®2, NFC3, Bluetooth®4 and GPS technology
Laowa 24 mm f/14 Replay 2x Macro – macro lens of an unusual shape.
Venus Optics is one of the most interesting optics manufacturers from China.
Under the brand name Laowa, it intends to introduce a macro lens with a very unusual shape, which can be useful for macro photography from a discrete distance. The prototype of the lens was presented during Photokina in 2016.
This lens is intended to take wide-angle macro images.
It looks just like a pole. The lens has a focal length of 24 mm and an aperture of f/14. It is suitable for use with full-frame cameras. According to the manufacturer, the new Laowa lens, thanks to its unique shape, will allow you to get into difficult places and to photograph skittish and timid creatures. The maximum magnification of this lens is x2. Also, the lens is designed to withstand extreme temperatures and extreme weather conditions.
Unfortunately, this type of lens has its drawbacks. Lens aperture f/14 will reduce the possibility of using it. The aperture closes down to f/40, and the minimum focusing distance is about 5 mm.
We don’t know the exact specifications of this lens, price or availability yet. The lens should be available with Canon EF, and Nikon F mounts. We are waiting for further information from the manufacturer.
Will it apply to Dental Photography? For sure no. But it may be interesting construction for other applications, like photographing shy insects.
We present some pictures from the Photokina expo, where the lens was first presented.
Nikon has announced (its midrange D7500 DSLR. While its design has been slightly tweaked, the big story is the features that have been inherited from the D500. It uses the same 20.9MP APS-C sensor, Expeed 5 processor and 180k-pixel RGB metering sensor, and is capable of capturing 4K video.
Nikon is keen to stress however that this new camera isn’t a direct replacement to the D7200 – which will continue to feature in the Nikon lineup – but rather slots in above it.
The main features of the new Nikon D750:
The quality of the pictures of the Nikon D500 flag model
The DX sensor with 20.9 MP resolution and EPEED 5 processor.
180k-pixel RGB image processing engine.
Phenomenal ISO sensitivity
Excellent performance in low light in the range of ISO 100-51200 expandable to 1640000 ISO equivalent. The Nikon D7500 is not afraid of the dark.
Excellent Advanced Scene Recognition system:
The 180k-pixel RGB metering sensor with Scene Recognition lays the foundation of the fantastic subject recognition.
No more blown-out highlights:
For the high-contrast scenes, the new highlight-weighted metering will prioritise the brightest elements in the frame, and help you avoid images with blown-out highlights.
Stay sharp thanks to extreme AF precision.
Whatever you shoot, the 51-point AF system will track your subject, lock onto it, and keep it in focus. Even if the only light is the moonlight.
Go cinematic with 4K/UHD video footage.
Elevate your movies to the next level. Record in ultra-high-definition detail at up to 30 frames per second.
Time-Lapse Movie.
Transform street scenes and sunrises into dramatic high-speed sequences with the built-in interval timer and 4K/UHD-quality time-lapse function.
8 fps continuous shooting.
Find the ultimate shot even if it’s hidden inside a blur of motion. Capture 50 NEF (RAW) or 100 JPEG images in one high-speed burst.
Tilt screen and touch controls.
Tap the tilting touchscreen monitor to focus and shoot from high viewpoints and intriguing angles.
High-res optical viewfinder.
An optical pentaprism viewfinder offers approximately 100 % frame coverage.
Keep your camera connected to your smart device with SnapBridge. Sync photos as you shoot. Use your smart device to shoot remotely. Nikon’s SnapBridge lets you keep the D7500 constantly connected to your smart device via Bluetooth® low energy technology¹. Sync photos to your device as you shoot, without having to reconnect each time. Transfer movies manually whenever you want via the camera’s built-in Wi-Fi®².
Our rating:
Pros
Brilliant sensor
ISO range
Advanced AF system
8fps burst shooting
Tilt-angle screen
Handling
Efficient battery (up to 950 photos with one charge.)
GP ReCyko+ Pro Photo Flash: Are they worth buying? Read more and find out!
Up until now, there were no rechargeable batteries dedicated to external flashes. The GP Company decided to fill the gap, and made the GP ReCyko+ Pro Photo Flash.
As the Company says: they give the shortest recharging time in between the shots, also one charging cycle allows you to take more than 1000 photos.
Thanks to these features, the flash will recharge faster. In dental photography it can be helpful during intraoral shots when our flash consumes a lot of power.
The Company says that the batteries will still have 80% of their capacity after one year of charging.
Unfortunately, fast charging has an impact on their lifetime, the models with the silver stripe from the Pro series- can be recharged 1400 times, but those with the green stripe- only 300 times. Maybe, it is not as much as we would like to but even if we will recharge them once a day- they will serve us for one year at work.
Benefits :
Ideal for Photo flash
More flashes
Faster recovery time
Ready to use precharged, guaranteed for 6 years
Recharged by GP Charger for the best performance
Cost saving and environmentally friendly
Cons minus:
Limited number of recharges – 300
Specifications :
GP ReCyko+ Pro Photo Flash Rechargeable battery
Nickel Metal Hydride chemistry
AA size
Rated capacity 2600mAh
Nominal voltage 1.2V
Gross weight ~31g
Recommended street price of 4 rechargeable batteries will vary from 22 to 30$.
We are happy to introduce the newest camera in the Canon Electro-Optical System (EOS) Series, the 77D.
After the successful launch of the advanced amateur SLR, Canon EOS 80D Canon has surprised everyone by introducing a new camera for the “Advanced Amateur” that lands right between the Rebel T7i (EOS 800D) and the EOS 80D
Coming in April 2017!
Canon has announced the EOS 77D is an entirely new category of camera; designed specifically for the advanced amateur photographer who wants to take the next step and push their knowledge, and experience with DSLR type cameras.
The specifications and features are rumored to include:
Brand new user interface
APS-C size image sensors 24.2MP
DIGIC 7 processor — which allows for better noise reduction while shooting at a higher ISO
ISO 100 to 25600
Dual pixel AF
Optical viewfinder with a 45-point All Cross-type AF system
6 Frame Per Second (FPS) continuous shooting
Vari-angle with 3.0-inch LCD
Deep recessed hand grip
New buttons on the back of the camera body
Top backlit LCD panel
Wireless features include Wi-Fi, NFC, and Bluetooth.
It also includes an all-new quick control dial for photographers who desire to access their settings faster and easier.
The only downside to using the 77D specifically for dental photography might be its inability to save custom shot presets.
You can learn more about why presets may be an important feature for you by watching our tutorial:
“https://www.dentalphotomaster.com/online-training/quick-guides/canon-7d-mark-ii“Setting Custom 1 (C1) on Canon 7D Mark II
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