Canon’s journey with Speedlites has been exciting, but recently it hit a turning point with the discontinuation of the flagship Speedlite EL-1. This left a noticeable gap in their lineup, and while Profoto is often considered a top alternative for high-end lighting, many dental photographers still prefer to use Canon-branded gear to maintain full compatibility within their system.
There are rumors that Canon may soon announce a new Hybrid Speedlite, which could potentially take the position of the new flagship model. However, this information hasn’t been confirmed. If the rumors are true, this new Speedlite might include both traditional flash functionality and a video light, which would make it a versatile tool for both still photography and video documentation.
Canon’s Hybrid Speedlite Features for Dental Photographers
The addition of a video light is more than just a novelty. For dental photographers, this could offer significant benefits, especially when working in environments that require both still images and videos. Imagine shooting clinical photos and quickly transitioning to record video demonstrations using the same light source—no need to switch setups. This hybrid system would streamline workflows for those involved in intraoral photography and dental portfolio shoots.
One of the most anticipated features of this rumored Speedlite is the control over shallow depth of field (DOF), allowing dental professionals to create more artistic and dynamic images. The continuous lighting mode could be particularly useful for crafting soft, diffused backgrounds while keeping the subject, such as a dental restoration or smile design, in sharp focus. This combination of precise lighting and DOF control is invaluable for those aiming to elevate their dental photography into the realm of artistic presentation.
Canon hasn’t confirmed the specifics yet, but we’ve been told to expect new Speedlite features beyond the hybrid lighting. What exactly those features will be remains unclear. The official announcement could come as early as November, though delays in the EOS R era have been common, especially with products like Speedlites, which can take longer to reach the market.
It’s also worth noting that there has been a recall on the Speedlite EL-5, so it’s clear Canon is working to refine its lighting solutions. While there is no confirmed flagship model in the current lineup, we don’t expect Canon to leave this gap unfilled for long.
For now, dental photographers should keep an eye on the developments, as this new Hybrid Speedlite could represent a major leap forward for those who need to capture both photos and videos with professional lighting.
If you’re a dental photographer looking to upgrade your gear for intraoral photography or even detailed dental portfolio shots, the rumored release of the Canon EOS R6 Mark III should definitely be on your radar. Canon’s R6 line has been a favorite among professionals for its versatility, performance, and excellent price-to-quality ratio, making it one of the most popular full-frame mirrorless cameras, especially for us, working in the dental photography world.
Originally, many speculated that the EOS R6 Mark III would drop by the end of 2024, but the latest whispers point toward a release in the first quarter of 2025. An image of what’s believed to be the new model has surfaced, and while the number isn’t visible, there are noticeable differences compared to the EOS R6 Mark II. As we can see, there’s a new button on top — but its function remains a mystery.
EOS R6 Mark III: First specs
While the final specs are still up in the air, it’s expected that the EOS R6 Mark III will stick with the 24MP sensor, which is more than enough for the high-quality intraoral and portrait shots dental professionals need. Some rumors suggest it might even feature the advanced sensor from the EOS R3, which would significantly boost image quality, especially in low-light situations, such as when capturing precise details in dental photography.
Another exciting possibility for dental photographers is the dual card slot setup — one CFe and one SD — similar to what we see in the EOS R5 Mark II. This can be a huge advantage when shooting large amounts of data, like high-res dental photos or video content for dental photography courses, ensuring you have enough storage space for extended sessions.
Canon is known for using the EOS R6 series to introduce new features, and we’re expecting no less from the Mark III. The R6 Mark II introduced the “precapture” feature, allowing photographers to capture key moments more easily — a tool that could be invaluable for those working on intricate intraoral shots or dental portfolio photography. The Mark III is likely to continue this trend, adding more video capabilities and other features to streamline the workflow for dental photographers.
So, while we wait for the official details, dental photographers can look forward to some exciting advancements in the Canon EOS R6 Mark III, making it an excellent option for upgrading your dental photography setup. Stay tuned for more updates — we’ll keep you posted as soon as we know more!
Meike’s new APS-C mirrorless cameras 60mm f/2.8 Macro Lens has just been announced.
New, affordable lens for intraoral and portrait photography? Check out our cameras online lesson and Macro Lens guide – it will help you with the right choice for your dental photography set! If you’re looking for a low budget APS-C mirrorless camera lens, this one can be one of your options: new Meike’s 60mm f/2.8 Macro Lens.
The lens will be available in various mounts, including Sony E, Fujifilm X, Nikon Z, Canon EF-M and RF, and Micro Four Thirds.
Its price, $190, seems very reasonable as a dental photography accessory. The effective focal length depends on the mount, but on APS-C cameras, it will be roughly a 90mm equivalent macro lens, while on Micro Four Thirds, it’ll be a 120mm macro prime.
Looks like an affordable offer for dental photographers, always looking for the best macro shoots possible.
Meike’s 60mm f/2.8 Macro Lens Specs:
a nine-bladed aperture diaphragm
1:1 magnification at its minimum focus distance of 6.9 inches (17.5 centimeters)
a manual aperture control ring with a ridged grip surface
weighs just over 10.5 ounces (300 grams)
price: $190
The lens is compatible with:
E mount : Sony E mount A7III A9 NEX 3 3N 5 NEX 5T NEX 5R NEX 6 7 A5000 A5100 A6000 A6100 A6300 A6500 .etc
When it comes to practicality, please note that the shutter ring is placed on the front of the lens and it’s quite easy to change it accidentally while setting the focus. This is a thing to remember!
For the price, the lens’ work looks very decent. We need to lower our expectations, though. There’s no AF or any other automation, so setting the focus needs more focus 😉 Low budget comes with its price and that’s something to always keep in mind.
To sum up: please consider this device only if you’re not able to afford a better and more expensive one. Otherwise, don’t bother.
Is Nikon dropping the DSLR in favor of the mirrorless sector?
The DSLR cameras have gained recognition around the world and among photographers in various industries. Dental photography included! Everyone knows some of the immortal models, like Nikon D750, working flawlessly for many, many years. Even though the camera itself was often passed from hand to hand.
Recent Nikon rumors made us think: will dental photographers be forced to change their habits and start using mirrorless cameras? Or is it only a premature panic?
Even though the company’s focusing on the mirrorless cameras, Nikon isn’t planning to exit the DSLR branch yet. “It is true that we are concentrating development resources on mirrorless cameras,” but “We have not decided to end or withdraw from development. to produce, sell, and support single-lens reflex cameras” says Mr. Tokunari, Nikon’s Senior Managing Exec Officer/CFO.
This confirms Nikon’s Chief Financial Officer (CFO) Tokusei Yoshiaki announcement at the financial results briefing for the April-June 2022 period: “Nikon will continue to operate the single-lens reflex camera business. We have not decided to withdraw from development.”
It looks like dental photographers can still use Nikon’s DLSRs and we shouldn’t be worried. Yet.
We’ll keep you posted as usual!
Don’t forget to watch our DSLR vs Mirrorless cameras online training with the first episode for FREE!
Canon has launched the new EOS R6 Mark II full-frame mirrorless camera and, as we know already, it is supposed to be the fastest small camera ever. What do the first reviews tell us and is this camera fine for dental photography?
First, the Canon EOS R6 Mark II shoots twice as fast as the original EOS R6 (which is now discontinued in favor of the new model). Some say, it’s basically a new Mini R3 and call it a sports, action, and events shooting monster thanks to a dramatically improved autofocus system thanks to a new AI chip, an improved buffer, as well as the ability to shoot up to 40 frames per second.
This impressive autofocus could be a game-changer when it comes to dental portrait photography! And if you’re a fan of autofocus in intraoral photography as well, this one will surely meet your expectations. And as for other photography freaks (myself included), the speed of taking photos will be pure pleasure, especially with continuous light.
In my opinion, the higher pixel density is the biggest asset. The EOS R6 was always a bit of an odd fish. Its 20MP sensor was always going to compare badly to its 24MP rivals, and the R6 was not cheap either. Personally, I would be really glad if the pixels number would reach 30 million.
So let’s take a look at the key differences between the Canon EOS R6 II and the EOS R6 to see what Canon has done and the difference it’s likely to make:
1. Design
When it comes to the physical buttons, Canon loves to move them around, right? And so, here we’re getting an entirely different system for that on the R6 II that moves the power button from the left side of the body to the right, replacing it with a dedicated photo/video switch. It can be difficult to switch your memory to the new settings and it can be seen as a problem.
Canon EOS R6: 3.69m dot EVF, vari-angle screen, weather seals
Physically, the EOS R6 II and R6 are largely indistinguishable. They both have dust and weather sealing, they both have a 3.69m-dot EVF and vari-angle rear screen and both offer dual SD UHS-II card slots.
They even use the same LP-E6NH batteries and BG-R10 battery grip, though Canon does claim the R6 II offers a 50% improvement in battery life when using the LCD screen. I can’t wait to check this feature in practice: worrying about charging the battery can be exhausting.
2. Sensor
Canon EOS R6 II: 24.1 full-frame CMOS, up to ISO 102,400
Canon EOS R6: 20.1 full-frame CMOS, up to ISO 102,400
That’s great! The 24MP resolution of the R6 II is the same as that of its key rivals, whereas the old EOS R6 seemed oddly lacking. It’s not enough to upgrade for, but it’s enough to tip the balance more in Canon’s favor against the Nikon Z6 II, Lumix S1 or Sony A7 IV.
3. Autofocus
Canon EOS R6 II: Dual Pixel CMOS AF II, EV -6.5, extended subject recognition
Canon EOS R6: Dual Pixel CMOS AF II, -6.5EV
The R6 was already pretty advanced when it comes to AF, but the EOS R6II goes further. It features improved deep learning AI subject tracking. You can choose subject types manually or leave the camera to decide what it’s looking at. You can set left or right-eye tracking, and if the eyes can’t be detected the R6 II will switch to the face; if that’s hidden it will switch to head detection, and if that’s not possible is will recognize the subject’s body.
I can’t wait to check the AF in dental macrophotography and how it will cope with the teeth sharpness. This is definitely something dental photographers can be happy with.
4. Image Stabilization
Both cameras have IBIS systems offering up to 8 stops of sync IS shake compensation, dependent on the lens in use.
Canon EOS R6 II: Up to 8 stops
Canon EOS R6: Up to 8 stops
Canon claims the in-body image stabilization in the EOS R6 II offers the world’s most effective IS performance, with up to 8 stops of compensation with combined lens/body IS and the right lenses. However, the EOS R6 before it also offered up to 8 stops of compensation, so we will assume that this particular feature hasn’t changed.
If you’re taking dental photos in continuous light, this feature can provide you with a less blurred result. I’ll check it, but in my opinion the previous stabilization was also fine!
6K ProRes Raw video with a compatible Atomos recorder
Raw burst mode with pre-capture
Moving subject HDR mode
3.68M-dot EVF capable of up to 120 fps refresh (0.76x magnification)
1.62M-dot, 3-inch rear touchscreen
Dual UHS-II SD card slots
760 shot-per-charge battery rating (CIPA)
The Canon EOS R6 Mark II goes on sale 29 November – and is set to cost $3,599 /£2,779.99 / AU$4,499 body only.
Summarise:
The Canon EOS R6 Mark II has, faster shooting, more megapixels, and better video features – but is that enough to tempt R6 users in dental photography into upgrading? Perhaps not – but the new specs are likely to make the EOS R6 II a much more compelling camera for hybrid stills/video photographers looking for its particular brand of speed and versatility but without taking a drop in resolution.
If you already have the EOS R6, the improvements in the R6 II are modest enough and don’t instantly make your camera obsolete. But, if you were considering the R6 but put off solely by its 20MP sensor, the EOS R6 II should banish all your doubts!
How to use professional lights in dental digital photography? Take a look at our ready-to-use sets! Each lesson will show you various light set-ups that should be used in various needs. We’re not showing you the photo studio arrangement – we’re taking a step forward to give you pro tips and professional advice from the top photographer.
Follow our steps and prepare yourself and your dental photography business for an upgrade! We recommend this online course to all medium and advanced dental photography users.
Professional Studio Photography in practice
But first, why? Why should you sacrifice your time and money for professional pictures? Here are some examples:
Use your dental intraoral photography skills to improve your company’s image
Be able to stand out in social media
You wouldn’t like to be left behind in the business, right?
Completing the story of a case is professional and helps with the best possible diagnosis
You can easily consult your work with other specialists or show it to the public!
We’re giving you 18 (!) episodes covering all the questions you may have about Professional Studio Photography.
Episode 1 – Introduction
Episode 2 – Backgrounds
Episode 3 – Collapsible Backgrounds
Episode 4 – Seamless Background Paper
Episode 5 – Type of light & Power of lighting
Episode 6 – Speedlight Flash System & Light Modifiers
Episode 7 – Monolights, Light Modifiers Part 1
Episode 8 – Monolights, Light Modifiers Part 2
Episode 9 – Parabolic Umbrella
Episode 10 – Softboxes
Episode 11 – Light Modifiers: Reflectors
Episode 12 – Compact Monolight Flashes
Episode 13 – Studio Light in Practice: Beauty Dish
Episode 14 – Studio Light in Practice: One Softbox
Episode 15 – Studio Light in Practice: Two Softboxes
Episode 16 – Studio Light in Practice: Octabox
Episode 17 – Studio Light in Practice: Octabox Part 2
Episode 18 – Studio Light in Practice: Parabolic Umbrella
Amazing studio, professional equipment and a pro – our new lessons are just perfect. Check out how to use modern equipment to get the most beautiful photographs! Take your time to learn and invest in your career.
Laowa PeriProbe Lens: Can it be used in Dental Photography?
Venus Optics has just unveiled a new unique macro lens: the Laowa 24mm T14 2x PeriProbe. With the same features as the previous Laowa probe lens, it also provides a surprise: a 90-degree rotating periscope tip at the end!
Thanks to its long, narrow tube, the PeriProbe can reach deep inside tiny holes or can be helpful in dental intraoral photography. Its periscope can “dive” into the mouth with a 360-degree rotation while keeping the majority of the camera out of the way. Can you imagine that?
The PeriProbe lens comes with a 1/2-20-inch thread towards the end for attaching magic arms and extra lighting in order to illuminate tiny objects in the macro range.
The Venus Optics Laowa 24mm T14 2x PeriProbe lens is already available and it costs $2,299.
Is this the future of dental intraoral photography? It sure looks interesting, but will it be possible to use in our dental photography industry? As we all know, intraoral photography can be tricky with its narrow photo object!
In our opinion, the lens can be an interesting addition to your dental photography kit.
Nikon’s Full-Frame Flagship Camera with New Features
Nikon has officially announced the development of the Z9.
The new Z9 will:
use a newly developed stacked CMOS sensor and processing engine
support 8K video
have various other, new video specifications
The image accompanying the announcement shows a camera larger than the Z6/Z7 II, with what appears to be an integrated vertical grip.
The company is saying that it promises the Z9 will bring together Nikon’s set of “groundbreaking technologies” to deliver “the best still and video performance in Nikon history“.
“The Z9 embodies ultimate usability as a tool,” Nikon writes. “Offering users an unprecedented imaging experience from capture to workflow exceeding that of previous digital-SLR and mirrorless cameras.”
The rumor also stated that the camera was tested with a range of different megapixel sensors from 45-megapixels to a 60-megapixel version. Other features rumored include 20 frames per second through a blackout-free EVF (like the Sony Alpha 1 and Alpha 9 series), a 16-bit RAW option, a new user interface, and improved noise levels and better dynamic range.
Nikon Rumors claims the camera is expected to be released in the fall of 2021. Its price is rumoured to be something around $6,000 – $7,000.
Photography Fundamentals: our dental photography course is dedicated to everyone who starts an adventure with Dental Photography or Photography in general.
What lenses are the best for Intraoral Photography?
These are some of the topics explored in our dental digital photography course:
The Lens: how is it built? Elements, types and construction
Focal Length: the most important parameter
Macro Lenses: dedicated for dental photography
Marking at the top of a lens: what do they mean?
Threads of a lens: what do they do?
Focus distance window: the mechanism
Focusing distance range selection switch: how to use in practice?
Shutter release button: pressing it half-way or all the way down: differences
We’re pretty sure you would like to watch it now and don’t hesitate any longer!
Photography Fundamentals: our course is dedicated to everyone who starts an adventure with Dental Photography or Photography in general.
What is the main problem of an exposure in dental digital photography? We’re all dealing with it: photo turns out too dark or too bright. We need to strike a balance here, and our online course will help!
These are some of the topics explored in this dental photography course:
Exposure: what is it?
Why mastering the exposure is similar to mastering riding a bike?
How to recognize a perfect exposure?
What variables influence a good exposure?
Aperture in Dental Photography
Aperture influences the exposure. Did you know that out of focus effect of some teeth on your photo can be caused by the improper use of an aperture? We know how to prevent this in dental digital photography.
These are some of the topics explored in this dental photography course:
What is an aperture?
How to control it?
How do we present an aperture in professional photography?
We’re pretty sure you would like to watch it now and don’t hesitate any longer!
Have you ever wondered what causes those mysterious spots that appear in your photos? For photographers, particularly those who use interchangeable lens cameras, this is a common problem. But there’s a way to solve it.
These mysterious spots are caused by dust or dirt on your sensor, which is completely normal and virtually unavoidable. To combat this problem, most camera makers have included a sensor cleaning function in newer camera models. However, sometimes this handy little feature just isn’t enough, which is why cleaning the camera sensor is a chore that every photographer has to deal with every so often.
What is Sensor Dust?
The term “sensor dust” is used to describe the particles or elements that enter a camera and stick to its sensor. This usually happens when the camera user exposes the sensor by removing the body cap or switching lenses. Camera sensors are dust magnets, prone to dust. If you’re not careful enough, you’ll inevitably have to clean your camera’s sensor quite often.
How Does Dust Get into Camera Sensor in Mirrorless and DSLR cameras?
It’s rather easy to sustain sensor dust on a mirrorless camera, such as Sony Alpha A7 III, Nikon Z7, or Canon EOS R as the sensor becomes exposed during any lens changes. With regular DSLR cameras, the mirror provides some form of protection, though you can still end up getting dust on the sensor. However, one of the main causes of dust is actually the camera itself, which explains why photographers who rarely change their lenses still struggle with dust getting on the sensor.
Apart from getting dust and other dirt from the surrounding environment blown onto your sensor during lens changes, there are two other significant ways that dust may be generated:
Every time that you take a photo, the shutter fires. When it does, the friction between the components of the shutter can create dust.
The other way that dust is generated is during the moments that you attach or remove the plastic body cap. When you do so, friction between the metal mounts and the plastic cap may generate dust. This is also true for when you change your lens.
Let’s summarise some facts:
Dirty optics and dirty sensors can and will affect your image quality.
There are correct methods and tools to clean lens and filter optics.
There are incorrect methods and tools to clean lens and filter optics.
There’s a great deal of information available on the topic of lens cleaning—some of it conflicting.
So, let’s try to keep things simple, and find the best and safest way to get your lenses and sensors clean so that you can spend more time making photographs, and less time on cleaning.
So what will you learn while watching our lesson?
What equipment should you use to clean your camera and lens successfully?
A blower and a loupe are necessary?
Cleaning by yourself or leaving it to professionals?
Cleaning your flash and lens: steps
How to use a liquid and a cloth while cleaning the surface of your lens?
Cleaning your camera: steps
Cleaning your sensor: how to take care of this fragile part?
We’re pretty sure you would like to watch it now and don’t hesitate any longer!
Nikon has confirmed that stocks of the new camera have arrived and that it is ready for despatch! This means you can purchase your brand new Nikon now. Nikon USA informed customers that the Nikon Z6 II will be shipping, as well as Amazon in UK.
And if you haven’t place your order yet, maybe it’s time to do so now: the Z6 II is one of the bodies on offer in the early Nikon Black Friday deals in the US, where the Nikon Z6 II and FTZ adapter are already reduced by $200.
And what is the Z6 II? Basically, the new cameras are very similar to the old ones. Apart from some important features like dual card slots, 4K/60p video capture, and improved autofocus performance, we get the same product as two years ago. But it doesn’t mean it’s wrong. This results in a number of performance improvements, notably in its continuous shooting speed. The Z6 II can shoot up to 14fps (up from 12fps), which it can maintain for 124 12-bit RAW files or 200 JPEGs.
Yongnuo has announced a new flash – the YN650EX-RF – that includes a built-in ring of LED lights around the main flash unit that can act as a modeling lamp. It is also in an unusual ovular shape.
Yongnuo says that the YN650EX-RF is equipped with 24 LED lamp “beads” that it says will add “charming eye light” to photos. The LEDs are also dimmable at 100 different levels, which makes it more than just a simple modeling light but one that is specifically designed to create images on its own. In addition to the LEDs, the flash itself has an integrated 2.4G radio transceiver that is fully compatible with Yongnuo’s 16-channel RF radio system and includes TTL, Manual, Multi, or multi-group mixed mode flash options.
Its price is yet to be announced.
The YN650EX-RF Specifications:
GN 60 (Iso-100, at 200mm zoom)
Oval-shaped flash head
28–105mm zoom
24 LEDs, brightness adjustable from 1–100%
2-second recycle time with fresh AA batteries. (Faster with external battery pack)
Canon E-TTL and high-speed sync up to 1/8000 second
Built-in Yongnuo 2.4GHz RF transceiver, with 16 channels and wireless TTL
Supports Canon EX optical transmission system (commander and remote)
The Nikon D850 just received a $500 price cut: its price is just $2,500! This makes it more affordable than it’s ever been since it was released in 2017. This is an incredible offer for the full-frame DSLRs lovers.
We bet you’re happy now, as the D850 is one of the most popular cameras in dental photography. If you’ve been thinking about purchasing it – it looks like now is the best time!
The price drop, originally spotted by Nikon Rumors. If you don’t need szybkiego video autofocus, and you’ve not been wooed by the latest and greatest mirrorless options, this is a deal you’ll want to look at very closely.
According to NR, the price cut comes a sale before the new release, as there is a follow-up to the D850 coming in “early 2021.” That camera could be one of Nikon’s last full-frame DSLRs before shifting all of its attention to the mirrorless Z-series.
The company asked itself directly on its website: “What is the future of Micro Four Thirds?” And the answer it chose to give was a bit disappointing, “We are not able to comment on future product development at this time.”
It has always been taken as red that the company was committed to Micro Four Thirds. Will this be the next end of an era?
Matching the color by a dental technician in the mouth of the patient is not often possible. How can we measure this color and transfer it to the lab successfully?
Luckily, we’ve prepared our online training!
These are some of the topics explored in this lesson:
What camera accessories are necessary for well done color transfer?
Why a ring flash is not the best option here?
Shade guides: the crucial tool in adjusting the color by you and your dental technician
Retractors: customized and not customized. What is the difference?
Contrastors: what type should we use to achieve transparency?
Why should you use filters in color matching?
Filter for fluorescent light photography: checking different light conditions
We’re pretty sure you would like to watch it now and don’t hesitate any longer!
Dr Kris Chmielewski has prepared a special lesson for you. Professional Studio Photography is a very wide topic, and we want to explore it thouroghly!
These are some of the topics explored by Kris in this lesson:
Types of backgrounds used in Studio Photography
Cyclorama – what is it? Why it works with light in a special way?
Who should use Cyclorama and when?
Dental Photography in Studio
Collapsible Backgrounds in Studio Photography
And it’s time to cut to the chase in this next lesson.
Kris will tell you more about collapsible backgrounds. You’re not sure if you’re interested? These are some of the topics explored by Kris in this lesson:
Who should and can use collapsible backgrounds and why?
What are the sizes and colours of collapsible backgrounds?
Which colours of collapsible backgrounds are best for dental photography and in what cases?
How to hang collapsible background?
We’re pretty sure you would like to watch it now and don’t hesitate any longer!
In Dental Photo Master we believe that the best quality comes from the best knowledge. That is why we are happy to invite worldwide known experts! One of them is Carlos Ayala Paz, who doesn’t even need to be introduced to our community.
If you’re still not sure if this lesson can give you benefits, let us tell you a little bit about our video.
Carlos Ayala shows his ways to achieve the best possible light in a darkroom – as he says, ambient light is not a good idea when it comes to macro. He also has his opinion on the distance from the object and the type of a tripod that should be used.
But the key factor in taking perfect macro photography is managing the shadows. They appear after moving your flash even for a millimeter or if you replace your standard, big flash with a little LED one. Once the great picture is done, with nice colours and good background, it’s time to play with it. How about showing some transparency or focusing on the texture of the teeth? Carlos knows really good tricks to make it happen.
The cheapest, but still professional way to diffuse the light
And if we are talking about the tricks, this one you will love. Illuminating the scene, positioning flashes – these are the game changers and Carlos knows how to use them. But obtaining some soft, diffused light with a sheet of paper is basically it. There are of course some loopholes and Carlos will show you how to avoid them, especially when it comes to the power of your flashes.
And most importantly, Carlos will leave you with specific information about the best brands and models of flashes he uses. You’ll be surprised with their price: in a good way, we mean.
If this doesn’t encourage you to watch this lesson, we guess you already know it all. But if Lab Photography is one of the parts of your dental photography practice, you shouldn’t skip our video!
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