How Does Godox V1 Flash Compare to Canon’s Flash Systems?
When it comes to professional dental photography, Canon flash systems are often considered the gold standard. However, their premium price can make them inaccessible for some users. The Godox V1 Flash provides comparable features—such as high-speed sync, excellent light quality, and advanced wireless connectivity—at a fraction of the cost.
Does this mean you’re sacrificing quality for affordability? Let’s explore.
What Value Does Godox V1 Flash Offer to Dental Photographers?
Cost Efficiency Without Compromising Quality
At $229, the Godox V1 Flash is significantly more affordable than many Canon flashes. This makes it an excellent option for dental professionals seeking a cost-effective yet high-performing lighting solution.
Precision and Versatility
The round flash head delivers soft, even light. Its ability to tilt, rotate, and zoom ensures flexibility for capturing professional-grade images, whether you’re photographing close-ups of dental work or portraits of patients. It’s also perfect for dual-flash setups with modifiers, ideal for advanced intraoral and portraiture work.
Battery Power That Keeps You Going
With 480 full-power flashes per charge, the Godox V1 ensures you can get through even the busiest day without worrying about running out of power. This reliability is especially valuable for lengthy dental photo sessions.
Is Godox V1 Flash Right for You?
Consider these questions:
Are you searching for a professional-grade flash that fits within your budget?
Do you require soft, even lighting to achieve precision and clarity in your dental photography, including intraoral and portrait shots?
Would a rechargeable, reliable flash with long battery life make your workflow more efficient?
If your answer is “yes” to any of these, the Godox V1 Flash could be the ideal solution. Combining performance, flexibility, and affordability, it’s a fantastic choice for dental professionals and enthusiasts looking to elevate their dental photography results without overspending.
Ready to Elevate Your Skills?
Want to master your flash system and take your dental photography to the next level? Start with our expert tutorials, including free guides and resources, to help you refine your skills.
For even more resources, register for free on our website to access selected video content and explore our Equipment Section, packed with valuable insights. While many of our premium lessons offer advanced tips and techniques, we also provide free content to get you started.
👉 Register now and stay updated with the latest in dental photography, including new articles, reviews, and industry updates. Whether you’re just beginning or looking to enhance your expertise, you’ll find tools and inspiration to support your journey!
Canon’s journey with Speedlites has been exciting, but recently it hit a turning point with the discontinuation of the flagship Speedlite EL-1. This left a noticeable gap in their lineup, and while Profoto is often considered a top alternative for high-end lighting, many dental photographers still prefer to use Canon-branded gear to maintain full compatibility within their system.
There are rumors that Canon may soon announce a new Hybrid Speedlite, which could potentially take the position of the new flagship model. However, this information hasn’t been confirmed. If the rumors are true, this new Speedlite might include both traditional flash functionality and a video light, which would make it a versatile tool for both still photography and video documentation.
Canon’s Hybrid Speedlite Features for Dental Photographers
The addition of a video light is more than just a novelty. For dental photographers, this could offer significant benefits, especially when working in environments that require both still images and videos. Imagine shooting clinical photos and quickly transitioning to record video demonstrations using the same light source—no need to switch setups. This hybrid system would streamline workflows for those involved in intraoral photography and dental portfolio shoots.
One of the most anticipated features of this rumored Speedlite is the control over shallow depth of field (DOF), allowing dental professionals to create more artistic and dynamic images. The continuous lighting mode could be particularly useful for crafting soft, diffused backgrounds while keeping the subject, such as a dental restoration or smile design, in sharp focus. This combination of precise lighting and DOF control is invaluable for those aiming to elevate their dental photography into the realm of artistic presentation.
Canon hasn’t confirmed the specifics yet, but we’ve been told to expect new Speedlite features beyond the hybrid lighting. What exactly those features will be remains unclear. The official announcement could come as early as November, though delays in the EOS R era have been common, especially with products like Speedlites, which can take longer to reach the market.
It’s also worth noting that there has been a recall on the Speedlite EL-5, so it’s clear Canon is working to refine its lighting solutions. While there is no confirmed flagship model in the current lineup, we don’t expect Canon to leave this gap unfilled for long.
For now, dental photographers should keep an eye on the developments, as this new Hybrid Speedlite could represent a major leap forward for those who need to capture both photos and videos with professional lighting.
If you’re a dental photographer looking to upgrade your gear for intraoral photography or even detailed dental portfolio shots, the rumored release of the Canon EOS R6 Mark III should definitely be on your radar. Canon’s R6 line has been a favorite among professionals for its versatility, performance, and excellent price-to-quality ratio, making it one of the most popular full-frame mirrorless cameras, especially for us, working in the dental photography world.
Originally, many speculated that the EOS R6 Mark III would drop by the end of 2024, but the latest whispers point toward a release in the first quarter of 2025. An image of what’s believed to be the new model has surfaced, and while the number isn’t visible, there are noticeable differences compared to the EOS R6 Mark II. As we can see, there’s a new button on top — but its function remains a mystery.
EOS R6 Mark III: First specs
While the final specs are still up in the air, it’s expected that the EOS R6 Mark III will stick with the 24MP sensor, which is more than enough for the high-quality intraoral and portrait shots dental professionals need. Some rumors suggest it might even feature the advanced sensor from the EOS R3, which would significantly boost image quality, especially in low-light situations, such as when capturing precise details in dental photography.
Another exciting possibility for dental photographers is the dual card slot setup — one CFe and one SD — similar to what we see in the EOS R5 Mark II. This can be a huge advantage when shooting large amounts of data, like high-res dental photos or video content for dental photography courses, ensuring you have enough storage space for extended sessions.
Canon is known for using the EOS R6 series to introduce new features, and we’re expecting no less from the Mark III. The R6 Mark II introduced the “precapture” feature, allowing photographers to capture key moments more easily — a tool that could be invaluable for those working on intricate intraoral shots or dental portfolio photography. The Mark III is likely to continue this trend, adding more video capabilities and other features to streamline the workflow for dental photographers.
So, while we wait for the official details, dental photographers can look forward to some exciting advancements in the Canon EOS R6 Mark III, making it an excellent option for upgrading your dental photography setup. Stay tuned for more updates — we’ll keep you posted as soon as we know more!
If you’re looking for a dental photography lens to make your portrait and intraoral photos even better, it’s time to take some new players under consideration. Warning: you might be shocked!
For the longest time, Canon, Nikon and Sony were the kings of lenses and we, dental photographers, couldn’t imagine working in our dental offices without them. But things change! In the last few years Sigma and Tamron have not only released some seriously shout-worthy lenses, but they’re often a lot more affordable than first-party equivalents.
And while Canon stays on top of the sales rank, the second and third place are pretty surprising.
From the latest Japanese data there is just 3.3% separating the top 5 market shareholders in the interchangeable lens market, with Canon in first place (17.1%), Sigma in second (16%), Tamron coming in third (15.1%) followed by Sony in fourth (14.2%) and finally Nikon in fifth (13.8%).
The results show that the interchangeable lens market is booming, that the popular manufacturers aren’t as powerful as they used to be and that a famous name doesn’t mean an obvious success.
And, what’s more, cameras with interchangeable lenses are gaining in popularity and this is living proof of the fact that smartphones aren’t enough. Especially in dental digital photography.
If you’re using the Olympus system in your dental photography practice, this one’s for you!
The Micro 4/3 macro lens users finally can choose the long-focus lens.
The lens offers the highest ever magnification which will be helpful especially in intraoral photography. Shooting a single tooth won’t be an issue! What’s more, the lens allows creativity and it’s not so usual with other, regular macro lenses. We’re pretty sure you’ll be happy with it if macro photography is your hobby in general, apart from the dental photography industry.
The automatic stacking system lets the lens work smoothly with all the OM system cameras. Sharp pictures are guaranteed! The 2x macro combined with the Micro 4/3 gives the 4x magnification for the 35 mm format and when we’re talking stabilization, we mean perfection. You won’t need a tripod for intraoral photography and we know how big a difference it makes. Leaving a tripod at the dental office door means easier work and less inconveniences.
Now, let’s move on to the technical data.
The 90mm F3.5 Macro IS PRO is an autofocus lens that delivers up to 2x macro (or 4x with a 2x teleconverter). Its stabilization system is compatible with the Sync IS system, allowing it to work in conjunction with in-body stabilization of Olympus/OM System cameras.
The lens is constructed from 18 elements, arranged in 13 groups. Its design has two focus groups that act in conjunction, allowing very close focus when the focus limit switch is in the ‘Macro’ position. The lens also has a focus ring that can be snapped back to reveal a focus distance scale and (on Olympus or OM System cameras) engage manual focus.
Of course, its macro possibilities are only one of many features and it will cope with a dental portrait and creating a dental portfolio as well.
KEY FEATURES
High resolution macro lens
Exceptional Magnification–Delivers 4x equivalent shooting when paired with the MC-20 2x teleconverter
Autofocus without limits–High speed, high precision AF
High performance 5-axis image stabilization
Built to enable split-second macro shooting capabilities
IP534 splash proof and dustproof performance
Freezeproof down to 14°F
Fluorine coating
Weight: approx. 453 g5 (lens only)
The OM System 90mm F3.5 macro IS pro’s price tag is $1,499.99.
Meike’s new APS-C mirrorless cameras 60mm f/2.8 Macro Lens has just been announced.
New, affordable lens for intraoral and portrait photography? Check out our cameras online lesson and Macro Lens guide – it will help you with the right choice for your dental photography set! If you’re looking for a low budget APS-C mirrorless camera lens, this one can be one of your options: new Meike’s 60mm f/2.8 Macro Lens.
The lens will be available in various mounts, including Sony E, Fujifilm X, Nikon Z, Canon EF-M and RF, and Micro Four Thirds.
Its price, $190, seems very reasonable as a dental photography accessory. The effective focal length depends on the mount, but on APS-C cameras, it will be roughly a 90mm equivalent macro lens, while on Micro Four Thirds, it’ll be a 120mm macro prime.
Looks like an affordable offer for dental photographers, always looking for the best macro shoots possible.
Meike’s 60mm f/2.8 Macro Lens Specs:
a nine-bladed aperture diaphragm
1:1 magnification at its minimum focus distance of 6.9 inches (17.5 centimeters)
a manual aperture control ring with a ridged grip surface
weighs just over 10.5 ounces (300 grams)
price: $190
The lens is compatible with:
E mount : Sony E mount A7III A9 NEX 3 3N 5 NEX 5T NEX 5R NEX 6 7 A5000 A5100 A6000 A6100 A6300 A6500 .etc
When it comes to practicality, please note that the shutter ring is placed on the front of the lens and it’s quite easy to change it accidentally while setting the focus. This is a thing to remember!
For the price, the lens’ work looks very decent. We need to lower our expectations, though. There’s no AF or any other automation, so setting the focus needs more focus 😉 Low budget comes with its price and that’s something to always keep in mind.
To sum up: please consider this device only if you’re not able to afford a better and more expensive one. Otherwise, don’t bother.
You’d like to customize your shutter sounds when working with a patient? The Nikon’s Z9 will give it to you!
Nikon shared the selectable shutter sound during a live stream that it published to YouTube which was spotted by Nikon Rumors. There will be three sounds available: the standard Z9 click, a more DSLR-like click, and finally a shutter sound that is more akin to what has been heard from a Nikon film camera. The shutter sound volume can be adjusted between one and five — one being quiet, and five being the loudest.
Will the patient appreciate the real sound during a shoot? We’ll see. Rumor has it Nikon will consider adding other sounds, including fun ones such as the cat’s meow. If that doesn’t make your patient laugh, we don’t know what else will!
Dental photographers can choose a new addition from the Canon’s family! Will one of the smallest and cheapest cameras be enough for a dental photographer?
The EOS R50 effectively replaces the EOS M50 II and marks the transition of the series to RF. The camera is said to replace the M50 Mark II, due to the use of the company’s now-standard RF mount lenses.
The camera has a 24.2MP APS-C sensor, advanced subject detection technology known from the Canon R6 Mark II and the new Canon R8, and uses the company’s newer DIGIC X processor. There’s no in-body image stabilization in the R50, but thanks to its light weight keeping the balance shouldn’t be an issue.
Impressive burst shooting
The R50 is surprisingly adept at burst shooting for such a small camera!Itcan grab clips at up to 12 frames per second using its electronic/mechanical shutter mode, or 15 frames per second in fully electronic mode (with the risk of moving subjects appearing distorted if there’s too much lateral movement).
Battery
The EOS R50 uses the same LP-E17 battery as Canon’s other small ILCs. It’s a 7.5Wh battery which isn’t a lot to power a mirrorless camera. It’ll do well for snapping occasional photos as you go about your day, but if you devote any length of time to photos, always keep a spare battery while shooting your patient in a dental office with you to avoid unpleasant surprises. There’s nothing more stressful than your battery with your patient waiting on the chair!
Wi-Fi
Canon has also gone a long way to make connecting a camera to a phone or laptop as simple as possible, with several different methods of wirelessly transferring files.
Our verdict
Writing as a keen dental photographer, though, it’s hard to wholeheartedly recommend this camera. In my opinion, it can be the right choice for a beginner in the dental photography industry; due to its lightweight, you won’t be tired too quickly.
What about the lack of stabilization? Well, we’d recommend purchasing the right lens to ensure your intraoral photos will be spotless. Choosing the more expensive one will be smart, as you can always resell it and go to the next level.
You’ll need to keep in mind that changing settings – with no C1, C2 or C3 modes – will take more time than usual, and switching from portrait to intraoral photos is tricky and can cause a mistake. Searching for the right setting in the menu takes additional time and with your patient waiting it’s easy to choose the wrong option.
Definitely, this is a low-budget camera for beginners, so if you’re able to pay more, take the R10 or R8 under consideration.
If you’re a vlogger, this camera will be suited for you. Streaming your webinars online won’t be a problem!
EOS R50 Specs & Price:
OLED viewfinder with 2.36 million dots and a .96x magnification
LCD screen is a TFT color liquid crystal display with 1.62 million dots and is touch-control capable
electronic front curtain shutter and an electronic shutter (no full mechanical shutter in the R50)
JPEG and HEIF in addition to RAW and C-RAW recording
It can connect to smartphones wirelessly or via a USB cable for transmission. WiFi is the older 802.11b/g/n, and Bluetooth 4.2 LE
single SD card slot
Lens Mount RF (natively supporting RF and RF-S lenses) EF and EF-S lenses can be attached using Mount Adapter EF-EOS R, EF-EOS R Control Ring Mount Adapter, Drop-in Filter Mount Adapter EF-EOS R EF-M lenses are not compatible
ISO Sensitivity Auto 100-32000 (in 1/3-stop or whole-stop increments) ISO can be expanded to H: 51200
Built-in Flash GN (ISO 100, meters) 6
The camera costs $680, or, the RF-S 18-45mm f/4.5-6.3 IS STM and RF-S 55-210mm f/5-7.1 IS STM lenses, is available for $1,029.
How to describe it in one sentence? This is EOS R6 II tech in a smaller, compact body. But there’s more to know.
Canon says this full-frame mirrorless camera is for amateur photographers, but we’re always curious if the new “baby” can work in dental or intraoral photography. 24-megapixel sensor, Dual Pixel AF, the DIGIC X processor, AI-driven subject recognition – we know them already from EOS R6 II, but thanks to the lighter body the EOS R8’s price is much more friendly. And we must say, the sensor and processor are quite impressive for the price.
Canon EOS R8 main features
The camera weighs just over a pound (461 grams) with a battery, SD card, and no battery cap. It measures 5.22 x 3.39 x 2.76 inches (132.5 x 86.1 x 70.0 millimeters). There’s also a responsive and comfortable vari-angle touchscreen. The camera’s weight can be a big advantage for those of you who get easily tired with heavy dental cameras, we’re pretty sure female dental photographers will also appreciate this feature. On the other hand, heavy lenses and light bodies won’t provide proper balance, so, if you’re strong enough, we’d recommend choosing a more massive camera.
One SD card slot isn’t a huge issue, but something you’ll need to get used to. Changing the card won’t take long, after all!
The HDR feature is always important for dental photographers: it’s helpful when it comes to spot the details on a dental photo.
The control layout is simplified in this smaller body. You don’t get a joystick, there’s a simple D-pad rather than a rear wheel, and there are less buttons to customize. Some of the functions are harder to find, if you like to have them all at hand, take this under consideration
Dual Pixel CMOS II AF with tracking AF available for all modes will be useful while taking intraoral photos. But there’s more: Flexible AF can be paired with Eye Tracking and this feature is not to be underestimated when it comes to portrait shooting.
The camera uses a smaller battery which is also found on the Canon R50. Canon did not provide CIPA ratings for the battery in the R8, though in PetaPixel’s testing, the battery ran out before a full day of mixed video and still shooting.
Usual connection options are available: a multi-function shoe for compatibility with a range of accessories including external flash, 2.4GHz wireless, Bluetooth 4.2, and MFI for direct connection with an Apple device, in addition to Android devices.
We’re not professional video makers, but let’s notice the possibility of recording 4K UHD at 60p for up to 30 minutes.
The camera doesn’t have in-body image stabilization (IBIS) which can cause a difficulty while macro shooting – a heavy 180 mm lens can upset the balance. If you’re taking photos under continuous light, the lack of IBIS can be even more noticeable.
Canon EOS R8: our verdict & price
good idea if you’re a lighter dental cameras fan
good idea if you’re aiming for the R6 photos quality, but don’t want to spend as much money; please remember that shooting and camera control will be more difficult
honestly, dental photographers, it’s up to you! Combining a lighter camera with a heavy lens can influence the balance and it can be less stable to hold. Our work requires long hours standing up or in an uncomfortable position; the R6 will be more expensive, but will also provide comfort.
Body alone, the R8 will cost $1,500. The kit with the R8 and 24-50mm are set to be priced at $1,700.
Key specifications:
24.2MP full-frame CMOS sensor
Up to 40fps continuous shooting with e-shutter (6fps with mechanical)
30fps Raw Burst mode with 1/2-second pre-buffering
Consistency is the key to success! Your post production is your signature.
What is a digital workflow in dental photography? We’re working with hundreds of photos everyday and proper documentation is the best way to keep them in order. We don’t even want to think what can happen with photos kept in a digital mess! But your order has also influenced your clinic-Lab communication: finding the right file will take a blink of an eye.
Do you need more advantages to get started? Let’s mention faster clinical protocols, lower cost materials for your clinic or repeatability of work (you can always re-print a model).
You’re not sure if you’re interested? These are some of the topics explored in this lesson:
Workflow: setting your camera and importing your photos to your computer
File transfer: types of ports, cables, cards. Transfer speeds according to USB connector type.
File Storage & Backup: Archiving your items, Backup devices, Tips: how to provide a solid backup of your files?
Organizing Images: Various ways of organizing your photos, according to date/event/type.
There are so many reasons to watch this lesson– whether you’re in it for outcomes, efficiency, patient experience, the planet, or increasing the value of your practice. Choose one of them and watch our course!
We’re pretty sure you would like to watch it now and don’t hesitate any longer!
Is Nikon dropping the DSLR in favor of the mirrorless sector?
The DSLR cameras have gained recognition around the world and among photographers in various industries. Dental photography included! Everyone knows some of the immortal models, like Nikon D750, working flawlessly for many, many years. Even though the camera itself was often passed from hand to hand.
Recent Nikon rumors made us think: will dental photographers be forced to change their habits and start using mirrorless cameras? Or is it only a premature panic?
Even though the company’s focusing on the mirrorless cameras, Nikon isn’t planning to exit the DSLR branch yet. “It is true that we are concentrating development resources on mirrorless cameras,” but “We have not decided to end or withdraw from development. to produce, sell, and support single-lens reflex cameras” says Mr. Tokunari, Nikon’s Senior Managing Exec Officer/CFO.
This confirms Nikon’s Chief Financial Officer (CFO) Tokusei Yoshiaki announcement at the financial results briefing for the April-June 2022 period: “Nikon will continue to operate the single-lens reflex camera business. We have not decided to withdraw from development.”
It looks like dental photographers can still use Nikon’s DLSRs and we shouldn’t be worried. Yet.
We’ll keep you posted as usual!
Don’t forget to watch our DSLR vs Mirrorless cameras online training with the first episode for FREE!
Canon has launched the new EOS R6 Mark II full-frame mirrorless camera and, as we know already, it is supposed to be the fastest small camera ever. What do the first reviews tell us and is this camera fine for dental photography?
First, the Canon EOS R6 Mark II shoots twice as fast as the original EOS R6 (which is now discontinued in favor of the new model). Some say, it’s basically a new Mini R3 and call it a sports, action, and events shooting monster thanks to a dramatically improved autofocus system thanks to a new AI chip, an improved buffer, as well as the ability to shoot up to 40 frames per second.
This impressive autofocus could be a game-changer when it comes to dental portrait photography! And if you’re a fan of autofocus in intraoral photography as well, this one will surely meet your expectations. And as for other photography freaks (myself included), the speed of taking photos will be pure pleasure, especially with continuous light.
In my opinion, the higher pixel density is the biggest asset. The EOS R6 was always a bit of an odd fish. Its 20MP sensor was always going to compare badly to its 24MP rivals, and the R6 was not cheap either. Personally, I would be really glad if the pixels number would reach 30 million.
So let’s take a look at the key differences between the Canon EOS R6 II and the EOS R6 to see what Canon has done and the difference it’s likely to make:
1. Design
When it comes to the physical buttons, Canon loves to move them around, right? And so, here we’re getting an entirely different system for that on the R6 II that moves the power button from the left side of the body to the right, replacing it with a dedicated photo/video switch. It can be difficult to switch your memory to the new settings and it can be seen as a problem.
Canon EOS R6: 3.69m dot EVF, vari-angle screen, weather seals
Physically, the EOS R6 II and R6 are largely indistinguishable. They both have dust and weather sealing, they both have a 3.69m-dot EVF and vari-angle rear screen and both offer dual SD UHS-II card slots.
They even use the same LP-E6NH batteries and BG-R10 battery grip, though Canon does claim the R6 II offers a 50% improvement in battery life when using the LCD screen. I can’t wait to check this feature in practice: worrying about charging the battery can be exhausting.
2. Sensor
Canon EOS R6 II: 24.1 full-frame CMOS, up to ISO 102,400
Canon EOS R6: 20.1 full-frame CMOS, up to ISO 102,400
That’s great! The 24MP resolution of the R6 II is the same as that of its key rivals, whereas the old EOS R6 seemed oddly lacking. It’s not enough to upgrade for, but it’s enough to tip the balance more in Canon’s favor against the Nikon Z6 II, Lumix S1 or Sony A7 IV.
3. Autofocus
Canon EOS R6 II: Dual Pixel CMOS AF II, EV -6.5, extended subject recognition
Canon EOS R6: Dual Pixel CMOS AF II, -6.5EV
The R6 was already pretty advanced when it comes to AF, but the EOS R6II goes further. It features improved deep learning AI subject tracking. You can choose subject types manually or leave the camera to decide what it’s looking at. You can set left or right-eye tracking, and if the eyes can’t be detected the R6 II will switch to the face; if that’s hidden it will switch to head detection, and if that’s not possible is will recognize the subject’s body.
I can’t wait to check the AF in dental macrophotography and how it will cope with the teeth sharpness. This is definitely something dental photographers can be happy with.
4. Image Stabilization
Both cameras have IBIS systems offering up to 8 stops of sync IS shake compensation, dependent on the lens in use.
Canon EOS R6 II: Up to 8 stops
Canon EOS R6: Up to 8 stops
Canon claims the in-body image stabilization in the EOS R6 II offers the world’s most effective IS performance, with up to 8 stops of compensation with combined lens/body IS and the right lenses. However, the EOS R6 before it also offered up to 8 stops of compensation, so we will assume that this particular feature hasn’t changed.
If you’re taking dental photos in continuous light, this feature can provide you with a less blurred result. I’ll check it, but in my opinion the previous stabilization was also fine!
6K ProRes Raw video with a compatible Atomos recorder
Raw burst mode with pre-capture
Moving subject HDR mode
3.68M-dot EVF capable of up to 120 fps refresh (0.76x magnification)
1.62M-dot, 3-inch rear touchscreen
Dual UHS-II SD card slots
760 shot-per-charge battery rating (CIPA)
The Canon EOS R6 Mark II goes on sale 29 November – and is set to cost $3,599 /£2,779.99 / AU$4,499 body only.
Summarise:
The Canon EOS R6 Mark II has, faster shooting, more megapixels, and better video features – but is that enough to tempt R6 users in dental photography into upgrading? Perhaps not – but the new specs are likely to make the EOS R6 II a much more compelling camera for hybrid stills/video photographers looking for its particular brand of speed and versatility but without taking a drop in resolution.
If you already have the EOS R6, the improvements in the R6 II are modest enough and don’t instantly make your camera obsolete. But, if you were considering the R6 but put off solely by its 20MP sensor, the EOS R6 II should banish all your doubts!
How to use professional lights in dental digital photography? Take a look at our ready-to-use sets! Each lesson will show you various light set-ups that should be used in various needs. We’re not showing you the photo studio arrangement – we’re taking a step forward to give you pro tips and professional advice from the top photographer.
Follow our steps and prepare yourself and your dental photography business for an upgrade! We recommend this online course to all medium and advanced dental photography users.
Professional Studio Photography in practice
But first, why? Why should you sacrifice your time and money for professional pictures? Here are some examples:
Use your dental intraoral photography skills to improve your company’s image
Be able to stand out in social media
You wouldn’t like to be left behind in the business, right?
Completing the story of a case is professional and helps with the best possible diagnosis
You can easily consult your work with other specialists or show it to the public!
We’re giving you 18 (!) episodes covering all the questions you may have about Professional Studio Photography.
Episode 1 – Introduction
Episode 2 – Backgrounds
Episode 3 – Collapsible Backgrounds
Episode 4 – Seamless Background Paper
Episode 5 – Type of light & Power of lighting
Episode 6 – Speedlight Flash System & Light Modifiers
Episode 7 – Monolights, Light Modifiers Part 1
Episode 8 – Monolights, Light Modifiers Part 2
Episode 9 – Parabolic Umbrella
Episode 10 – Softboxes
Episode 11 – Light Modifiers: Reflectors
Episode 12 – Compact Monolight Flashes
Episode 13 – Studio Light in Practice: Beauty Dish
Episode 14 – Studio Light in Practice: One Softbox
Episode 15 – Studio Light in Practice: Two Softboxes
Episode 16 – Studio Light in Practice: Octabox
Episode 17 – Studio Light in Practice: Octabox Part 2
Episode 18 – Studio Light in Practice: Parabolic Umbrella
Amazing studio, professional equipment and a pro – our new lessons are just perfect. Check out how to use modern equipment to get the most beautiful photographs! Take your time to learn and invest in your career.
Laowa PeriProbe Lens: Can it be used in Dental Photography?
Venus Optics has just unveiled a new unique macro lens: the Laowa 24mm T14 2x PeriProbe. With the same features as the previous Laowa probe lens, it also provides a surprise: a 90-degree rotating periscope tip at the end!
Thanks to its long, narrow tube, the PeriProbe can reach deep inside tiny holes or can be helpful in dental intraoral photography. Its periscope can “dive” into the mouth with a 360-degree rotation while keeping the majority of the camera out of the way. Can you imagine that?
The PeriProbe lens comes with a 1/2-20-inch thread towards the end for attaching magic arms and extra lighting in order to illuminate tiny objects in the macro range.
The Venus Optics Laowa 24mm T14 2x PeriProbe lens is already available and it costs $2,299.
Is this the future of dental intraoral photography? It sure looks interesting, but will it be possible to use in our dental photography industry? As we all know, intraoral photography can be tricky with its narrow photo object!
In our opinion, the lens can be an interesting addition to your dental photography kit.
Venus Optics has just announced the Laowa 85mm f/5.6 2x Ultra Macro APO. It is claimed to be the smallest 2x macro for any full-frame camera.
It works with Nikon Z, Canon RF, Sony E and Leica M mounts.
Laowa 85mm f/5.6 2x Ultra Macro APO details:
specially designed for Full Frame mirrorless cameras
the most compact 2x macro lens on the market
259 grams (9.12 ounces), 3.18-inches long by 2.08-inches wide
the APO design allows the lens to produce photos with minimal chromatic aberration
made to cast aside the normal bulky and heavy macro lenses that are available without sacrificing image quality
the lens can focus from infinity to 2x magnification and features a minimum focusing distance of 6.31-inches
a seven-bladed aperture diaphragm, an angle of view of 28.55-degrees, and a front filter thread size of 46mm
This light lens is perfect for light mirrorless cameras used in dental digital photography, especially if you’re not a fan of heavy equipment. What’s more, with its 2x magnification will be comfortable to use in various dental photography circumstances. We’re pretty sure it will prove itself in many situations, e.g. preparing your dental portfolio or extracting very small details, so important in our practice.
Check out some photos made with the new lens:
The Venus Optics Laowa 85mm f/5.6 2x Ultra Macro APO is available for $499.
Digital Smile Design: a new quality in taking care of a smile!
DSD is a unique dental treatment planning tool that strengthens a dental provider’s diagnostic vision, enhances predictability, and improves communication between dental providers and their patients. A treatment plan is completely based on a thorough analysis of the patient’s dental and facial proportions.
In this online course our expert and new Giant Bartosz Cerkaski (the Vice President of Polish Academy of Esthetic Dentistry (PASE) and the founder of DSD Academy in Poland) will show you the Digital Smile Design Workflow, step by step. Bartosz Cerkaski has won The Best DSD Instructor Award in 2018.
We’ve prepared for you a series of lessons: professional and detailed. You can use your new knowledge in dentral intraoral photography and becoming a dental photography master.
You can choose the most important part for you or watch the whole lesson. Remember:your subscription gives you a 24/7 access to our online platform.
We can guarantee: you will benefit from it!
These are the lessons we’ve prepared for you:
Introduction: What is DSD?
Communication in DSD: Why so important, types of Photography used in DSD
DSD Workflow with the Patient: how do the visits look, how many of them should be planned, how to prepare a professional documentation?
DSD Workflow: Motivational Mockup. What is it, why so important, how to conduct a smile test? Theory and practice!
DSD Workflow: DSD Final Presentation: Patient’s Emotional Reaction
Visit our online lessons now and check out how DSD can influence your career!
While Canon still has not revealed pricing or availability for the camera, it has published new information on how the camera can be expected to function. Moreover, the company published a set of images of the camera with and without RF lenses attached: what do you think about it?
But what is important to us? Of course, its features that can be useful in dental photography. Let’s take a look.
As for the EOS R3’s features, here is all we know:
the R3 will offer what Canon is describing as “enhanced autofocus performance” and tracking capabilities that are bolstered by Deep Learning technology – this new feature will make it ideal for photographers who are attempting to photograph fast-moving motorsports: that sounds interesting!
the camera will be able to operate its autofocus in extremely low lighting conditions down to EV -7: we like it because of intraoral photography! Taking intraoral photos with flashlights, but without model light, was really hard; that is why we always recommended manual AF. It seems like this new feature will change a lot!
the camera also will have up to eight stops of image stabilization through a combination of on-sensor stabilization and optical stabilization with RF lenses that feature optical image stabilization: perfect for dental photographers working with continous light! Thanks to this feature they won’t be limited with short shutter speed and they won’t need to worry about blurred photos. Using lights with lower power will be more comfortable for patients and will consume less electricity – and we do like caring about environment!
it will be able to shoot oversampled 4K video with Canon Log 3 support as well as record RAW video internally
the R3 will come outfitted with one CFexpress card slot and one SD card slot: useful for those of you who will change DSLR to R3 – you can still use your CF cards
it will be powered by the same LP-E19 battery that currently operates the 1DX Mark III, which means photographers who already own the company’s flagship DSLR will be easily able to swap to the R3: this battery is really long-lasting, no more everyday charging
the vari-angle touchscreen is making its way to a full-size, integrated vertical grip camera for the first time in Canon’s history on the R3
the Canon R3 will be the first digital mirrorless camera to feature Canon’s Eye-Control AF
Having said all this, Canon is still silent about the R3’s release date and/or price. We will keep you posted!
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