The Best Flashes for Intraoral Dental Photography
Lighting is a key factor in creating a successful image. Why? It determines not only brightness or darkness, but also tone, mood and the atmosphere. Therefore it is necessary to control and manipulate light correctly in order to get the best texture, vibrancy of colour, and luminosity on your subjects. In order to truly take control over your dental photography, you should understand the way light works.
Intraoral Dental Photography: Why Light Distribution is so Important?
If you shoot at a low f-stop number like f/1.8, you’ll have a very thin depth of field in your images. Your intraoral photographs might look out of focus and blurry. The solution to this is using a macro flash. The flash dedicated to macro photography can open up a whole new world for you when it comes to macro lighting.
What flash for Intraoral photography (which is a type of macro photography) offers the best overall lighting?
If you’re looking to take intraoral pictures, getting bright, even lighting is a must. And you’ll likely need a flashgun. So what flash for macro photography will give you the best chance at the shots you want?
Pop up flash build in your camera – Speed light or Studio flash heads – can work well if you are shooting portraits, but intraoral photography needs a specific kind of light. Bright light is essential for intraoral photography because you want to reveal as much detail as possible. What’s more, you will also likely be shooting at small apertures in order to increase the depth of field (the area in focus) within your image.
Well chosen flash is a necessity in these situations. This is why you need a specific source of light: There are two types of artificial lighting systems for the intraoral macro photographer, Ring light and Dual flashlight.
Intraoral Photography: Ring Light and Dual Flash
Ring Light
Ring lights are one of the most common lighting solutions for macro photography because they are the best combination of price/performance available. They have two sets of lighting sources (the light ring is divided into two independent halves), so you can adjust the power of each half individually. They have some limitations which can be explained in the following two points:
- They produce a circular catch light, although this is a fantastic look, it becomes annoying to have bright circles bouncing off any shiny subject that you photograph
- They are not recommended to use for colour transfer
- They need a lens adapting ring
Aside from these limitations, ring lights tend to produce fairly well-lit images. In terms of the quality of light, I would recommend it to a beginning dental photographer.
Dual flash
If you are looking for a solution which will give you more control of the light like studio light setups (used by portrait photographers), you should think about a Dual Flash. Studio light setups usually use a minimum of three lights (the main light, a fill light, and a background/accent light) for portraiture.
Such a complex setup makes it easy to control how the shadows and highlights fall on a subject, leading to more effective photos. Controlling the light and shadows is the easiest way to show the tooth texture – so important in intraoral photography.
Using a Dual Flash gives an easy way to position the direction of light coming from the two flashes; also you can control their power. When used with appropriate diffusers, the quality of light from a dual flash can be the best option.
The biggest drawback to a dual-flash solution is their price and that they demand bigger skills; therefore, I would recommend them to a more experienced photographer than to a beginner.
Light Distribution in Intraoral Photography: Tutorial
Understanding the Light Distribution in Dental Intraoral Macro Photography is a key to be a good dental photographer. But this is just theory! How does it work in practice? On the video below, you can see how the light is changing when you use a different source of light, and when you manipulate them.
- why a pop-up flash can ruin a picture with a shadow
- why a big flash proves that the size doesn’t always mean success, especially when it comes to macrophotography
- why a ring flash is one of the two best choices and how a close light can change the effect
- why a dual flash gives you the widest possible area of your work and why the bouncers matter
- what should you spend your money on and why
What type of equipment do you use?
What type of equipment do you use, is one of the most common questions, between the photographers. You can now watch my short discussion with Dr. Panos Bazos about the cameras, lenses, and flashes, which we are using in our daily work.
Interesting is, that at the end the most important is knowledge about your equipment and also about the photography in general. If you know how to use it then it doesn’t matter if you have very expensive or regular equipment.
You can watch the new videos, about reflected cross-polarised and fluorescence photography.
RECOMMENDED LESSONS:
FREE: Polarised photography explained by Dr. Panos Bazos
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Dual flash – why should I?
Dual flash is one of the flash types designed for macro photography. The main difference between a ring flash and a twin flash is the flexibility in flash heads positioning. The ring flash has flash tubes permanently built-in into a ring, which is attached to the lens. Dual flashes are constructed differently: they have two flash heads, which are mounted on a separate ring, or on a bracket.
(Fot.Ring and Dual Flash.)
There are several advantages of dual flashes. I’ll try to list them in accidental order:
– Light direction control
– You can fix them on a dedicated bracket
– A flexibility of positioning of the flash heads. You can set them close to the lens axis to obtain light direction similar to a ring flash or position them in a distance to gain more information about texture (when in use with a bracket).
– Optimal positioning of the flash heads for color transfer in digital dental photography (setting correct position – 45°)
[Fot Bracket 45degrees]
– More options for light modifiers (bouncers, diffusers) used in dental photography
(Fot.Dual Flash with Lumiquest]
Dual flash is available with wireless communication or with classic wires.
Available options for Canon users:
Canon MT-24EX Twin Lite + bracket (optional)
Wireless options:
2 x Canon 270EX II + wireless transmitter Canon ST-E2 + bracket
Nissin i40 + wireless transmitter Canon ST-E2 + bracket
Available options for Nikon users (wireless):
Nikon R1C1 (Nikon SB-R200 + commander SU-800) + bracket (optional)
2 x Nissin i40 + commander SU-800 + bracket
Available options for Sony users:
Sony HVL-MT24AM Macro Twin Flash Kit
Options for Olympus users:
Olympus STF-22 Twin Flash Set with FC-1 TTL Controller
If you have wireless flashes you can control them in two ways. Some of the cameras’ models have a built-in commander. Others will need a separate commander attached to the hot-shoe of your camera body.
I prefer to use an external commander instead of a built-in one (even if my camera has it).
The advantages of the external commanders/transmitters are:
– rigid and stable mount with the hot-shoe on the camera (no clips or risk of accidental damage of the pop-up flash, no wobbling of the clip)
– fast and easy access to manual settings of the flash power in the Manual Mode
Resources:
www.dentalphotomaster.com
www.photomed.net
www.bhphotovideo.com
You can find related lessons in our Dental Photo Master online platform:
Canon MT-24EX T
Canon 270 EX II
Nikon R1C1